"Marcus Creed and his Vocalconsort Berlin ... give us readings that look beneath the literal surface of both music and texts - there is a slight give in the tempos, a little more shape to dynamics, and a proper acknowledgment that there's an emotional aspect to these works, whether celebratory or more solemn, that demands more than a technically polished presentation. Komm, Jesu, komm is the best example here, where Creed and his singers so effectively...