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(0)Charles Ramírez Berg
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The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady - these have been the images of Latinos in US cinema for more than a century. This volume develops a theory of stereotyping that accounts for the persistence of such images in U.S. popular culture.
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From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood's paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho...