The stories in The Conjure Woman were Charles W. Chesnutt's first great literary success, and since their initial publication in 1899 they have come to be seen as some of the most remarkable works of African American literature from the Emancipation through the Harlem Renaissance.

In a novel rejected by a major publisher in the late nineteenth century as too shocking for its time, Charles W. Chesnutt challenges the notion that race, class, education, and gender must define where one's "rightful" place in society should be. Both a romance and a mystery, Mandy Oxendine tells the compelling story of two fair-skinned, racially mixed lovers who choose to live on opposite sides of the color line; Tom Lowrey remains in the black community,...

Born on the eve of the Civil War, Charles W. Chesnutt grew up in Fayetteville, North Carolina, a county seat of four or five thousand people, a once-bustling commercial center slipping into postwar decline. The Journals of Charles W. Chesnutt gives us, for the first time, full access to an unprecedented personal narrative, the first intimate self-portrait we have of an African American author in the making.