Aileen Ribeiro
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"Focusing on the rich visual culture of the age, including portraits, engravings, fashion plates and sculpture, and on the many and varied literary sources - poetry, drama, essays, sermons - the distinguished historian of dress, Aileen Ribeiro, gives an account of Stuart dress and reveals the ways in which it reflects and influences society. Supported by a wealth of images both telling and ravishing, she outlines the main narrative of clothing, as...
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"For more than half of the nineteenth century, French artist Jean-Auguste-Dominique Ingres (1780-1867) depicted the rapidly changing appearance of the fashionable woman with meticulous attention to detail and with rare perception and empathy. Working in a period that witnessed the development of a consumer society and the beginnings of couture, Ingres charted in his portraits how clothes were worn and what part they played in definitions of identity...
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"In this book, Aileen Ribeiro supplies readers with a time-transcending lens wrought from her considerable knowledge of the history of dress. She focuses on one hundred paintings, drawings, photographs and other works of art from the National Portrait Gallery in London that demonstrate the fluidity and multiple modes of fashion throughout English history. The subjects span the past five centuries and include many notable figures, from Henry VII through...
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Dress is the most fleeting of the arts, subject to the arbitrary dictates of fashion. It is also, however, the art that relates most closely to our lives, both as a reflection of our self-image and, in the words of Louis XIV, as 'the mirror of history'. This handsome book examines English and French fashion from 1750 to 1820 by studying the art of the period, and it shows how changes in dress reflected social, political and cultural developments in...
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This work condenses Racinet's classic six-volume set, History of World Costume (1876-1888), and translates it into English for the first time. Its text and 2,000 illustrations, most in full color, cover worldwide costumes from ancient Egypt to nineteenth-century Europe -- royalty, the working class, soldiers, and the poor.
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This illustrated book and the associated exhibition at the Frick Collection examine Whistler's depiction of women and in particular the aspect of dress and fashion as important elements in his pictures. Several authors apply their talents as historians of art and costume to explore the place of dress in Whistler's oeuvre. Themes treated include Whistler the dandy, Victorian modes of dress, Oriental and Aesthetic Movement influences, female portraiture...