Albert E. Stone
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As Albert E. Stone points out in his preface to Literary Aftershocks, the 1992 issue of Nuclear Texts and Contexts carried a headline proclaiming "Farewell to the First Atomic Age." Literary Aftershocks, Stone asserts, "takes seriously that adjective first and invites readers of history and literature to do the same."
And indeed readers of this volume will do so, for Stone has compiled a sweeping, vitally important survey of the literary response...
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Stone rescues autobiography from the thickets of recent critical theory, in which the life portrayed has often seemed less important than the inventive literary techniques. He argues that the techniques are important because knowledge of the life is important to our culture. Restricting himself primarily to 16 writers of the 20th century, Stone juxtaposes two or three figures in given chapters, such as "Becoming a Woman in Male America: Margaret Mead...
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Nine essays, all produced within the last six years, include Robert F. Sayre on autobiographies in American studies programs, Anais Nin on the diary, Alfred Kazin and Patricia Meyer Spacks on the self, Darrell Mansell on "fact," Janet Varner Gunn on the temporal mode in Walden, Thomas B. Doherty on ideology, Alvin H. Rosenfeld on ethnic self-consciousness, and Rosenfeld's essay, "Inventing the Jew: Notes on Jewish Autobiography."
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This is Mark Twain's first novel about Huck Finn and Tom Sawyer, and it has become one of the world's best-loved books. It is a fond reminiscence of life in Hannibal, Missouri, an evocation of Mark Twain's own boyhood along the banks of the Mississippi during the 1840s. "Most of the adventures recorded in this book really occurred," he tells us. This is a book one never forgets: Tom whitewashing Aunt Polly's fence, Tom and Huck's dreadful oath, their...