The Eye of the dictator : propaganda and the Nazis
(eVideo)

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Published
New York, N.Y. : Films Media Group, [2005], ©1994.
Format
eVideo
Language
English

Notes

General Note
Films on Demand is distributed by Films Media Group for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware.
General Note
Encoded with permission for digital streaming by Films Media Group on May 12, 2005.
General Note
Title from distributor's description.
Restrictions on Access
Access requires authentication through Films on Demand.
Description
This program examines the use of film and particularly the weekly newsreel to inform, disinform, and persuade Germany during the years of the Nazi regime. The program takes an in-depth look at the way Josef Goebbels, Minister of Propaganda, controlled the work of German film cameramen and how he manipulated their work to great effect both as propaganda and as art. Berlin exercised total editorial control of everything, with Goebbels himself assuming total news management. He approved every film and every budget, decided on the music, and chose the emphasis. When Goebbels was satisfied, the result was shown to Hitler for his personal approval. The program contains extraordinary footage that illustrates the Nazis' efforts in producing propaganda and demonstrates the enormous power of film to sway the national imagination.
Target Audience
9 & up.
System Details
System requirements: FOD playback platform.
System Details
Mode of access: Internet.
Local note
InfoBase Learning,Films on Demand: Master Academic Collection - US

Citations

APA Citation, 7th Edition (style guide)

(20051994). The Eye of the dictator: propaganda and the Nazis . Films Media Group.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

20051994. The Eye of the Dictator: Propaganda and the Nazis. New York, N.Y.: Films Media Group.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

The Eye of the Dictator: Propaganda and the Nazis New York, N.Y.: Films Media Group, 20051994.

Harvard Citation (style guide)

(n.d.). The eye of the dictator: propaganda and the nazis. New York, N.Y.: Films Media Group.

MLA Citation, 9th Edition (style guide)

The Eye of the Dictator: Propaganda and the Nazis Films Media Group, 20051994.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Grouped Work ID
559e89be-0af3-2738-145d-b22304c7a237-eng
Go To Grouped Work

Grouping Information

Grouped Work ID559e89be-0af3-2738-145d-b22304c7a237-eng
Full titleeye of the dictator propaganda and the nazis
Authorfilms for the humanities sciences
Grouping Categorymovie
Last Update2024-08-18 05:40:46AM
Last Indexed2024-12-18 02:13:42AM

Marc Record

First DetectedAug 13, 2024 02:31:31 PM
Last File Modification TimeAug 13, 2024 02:31:31 PM

MARC Record

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500 |a Title from distributor's description.
5050 |a Reichsminister Joseph Goebbels (4:35) -- Nazi Anti-Semitic Persecution (3:43) -- Cameramen Document Expansionism (4:59) -- World War II Begins (4:44) -- German Newsreels (5:30) -- Cameras Document U-Boat Heroics (4:05) -- Documenting the Eastern Front (3:58) -- Goebbels' Home Front Propaganda (5:16) -- Attempted Assassination of Hitler (4:00) -- Trial and Execution for the Insurgents (8:23) -- Nazi Germany's Last Days (2:53) -- Desperate Propaganda (3:24).
506 |a Access requires authentication through Films on Demand.
520 |a This program examines the use of film and particularly the weekly newsreel to inform, disinform, and persuade Germany during the years of the Nazi regime. The program takes an in-depth look at the way Josef Goebbels, Minister of Propaganda, controlled the work of German film cameramen and how he manipulated their work to great effect both as propaganda and as art. Berlin exercised total editorial control of everything, with Goebbels himself assuming total news management. He approved every film and every budget, decided on the music, and chose the emphasis. When Goebbels was satisfied, the result was shown to Hitler for his personal approval. The program contains extraordinary footage that illustrates the Nazis' efforts in producing propaganda and demonstrates the enormous power of film to sway the national imagination.
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