Erasing David : Surveillance vs. Privacy in the 21st-Century Data State
(eVideo)
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Published
New York, N.Y. : Films Media Group, [2012], ©2010.
Format
eVideo
Language
English
Notes
General Note
Films on Demand is distributed by Films Media Group for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware.
General Note
Title from distributor's description.
Description
Filmmaker David Bond lives in the U.K.-surprisingly, one of the top surveillance states in the entire world. From ubiquitous street corner traffic cameras to countless business, medical, and government databases, there is a disconcertingly huge amount of personal information that has been collected on him and his family. In this film, David documents a harrowing experiment in which he tests just how much privacy he really has by attempting to drop out of sight for 30 days after inviting a pair of security experts to try to track him down. His unsuccessful flight, in combination with his investigation into data collection and data loss/misuse, paints a dystopian portrait of life in a surveillance state where even if people have nothing to hide, it doesn't mean they have nothing to fear.
Target Audience
9 & up.
System Details
Mode of access: Internet.
System Details
System requirements: FOD playback platform.
Local note
InfoBase Learning,Films on Demand: Master Academic Collection - US
Citations
APA Citation, 7th Edition (style guide)
(20122010). Erasing David: Surveillance vs. Privacy in the 21st-Century Data State . Films Media Group.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)20122010. Erasing David: Surveillance Vs. Privacy in the 21st-Century Data State. New York, N.Y.: Films Media Group.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Erasing David: Surveillance Vs. Privacy in the 21st-Century Data State New York, N.Y.: Films Media Group, 20122010.
Harvard Citation (style guide)(n.d.). Erasing david: surveillance vs. privacy in the 21st-century data state. New York, N.Y.: Films Media Group.
MLA Citation, 9th Edition (style guide)Erasing David: Surveillance Vs. Privacy in the 21st-Century Data State Films Media Group, 20122010.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
6e9f6a6d-f610-aa42-1d9c-0e7826591dc1-eng
Grouping Information
| Grouped Work ID | 6e9f6a6d-f610-aa42-1d9c-0e7826591dc1-eng |
|---|---|
| Full title | erasing david surveillance vs privacy in the 2first century data state |
| Author | cinetic media |
| Grouping Category | movie |
| Last Update | 2024-08-18 06:12:27AM |
| Last Indexed | 2025-01-29 02:18:34AM |
Book Cover Information
| Image Source | default |
|---|---|
| First Loaded | Oct 3, 2024 |
| Last Used | Oct 3, 2024 |
Marc Record
| First Detected | Aug 13, 2024 02:32:22 PM |
|---|---|
| Last File Modification Time | Aug 13, 2024 02:32:22 PM |
MARC Record
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| 245 | 0 | 0 | |a Erasing David :|b Surveillance vs. Privacy in the 21st-Century Data State /|c Cinetic Media (Firm). |
| 246 | 3 | |a Surveillance vs. Privacy in the 21st-Century Data State | |
| 260 | 3 | |a New York, N.Y. :|b Films Media Group,|c [2012], ©2010. | |
| 300 | |a 1 online resource (1 video file (80 min.)) :|b sound, color | ||
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| 500 | |a Films on Demand is distributed by Films Media Group for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware. | ||
| 500 | |a Title from distributor's description. | ||
| 505 | 0 | |a Introduction and Opening Credits (2:11) -- Surveillance State (1:46) -- The Hunt Begins (2:29) -- Four Weeks Earlier (2:29) -- Clues Everywhere (2:15) -- Day Two: 28 Hours on the Run (2:39) -- The Stasi (2:01) -- Chilling Effect (2:30) -- Six Weeks Earlier (2:26) -- Data Overload (3:54) -- Day Three: 59 Hours on the Run (2:26) -- Arriving From Brussels (2:16) -- Eight Weeks Earlier (2:12) -- Victims of Brave New Database World (1:26) -- Day Six: 123 Hours on the Run (2:40) -- Guessing David's Route (1:07) -- Day Eight: 164 Hours on the Run (1:37) -- Mind Games (2:58) -- Ten Weeks Earlier (2:04) -- Selling Security (1:57) -- Tracked, Profiled, and Pigeonholed (2:29) -- Concern Over Signing a Release (2:09) -- Day Eleven: 244 Hours on the Run (2:05) -- The Feeling of Being Watched (3:19) -- About Ivy (0:42) -- Day Thirteen: 282 Hours on the Run (2:08) -- Trouble at Home (1:19) -- Three Months Earlier (2:00) -- Day Seventeen: 382 Hours on the Run (2:52) -- David Arrives in London (2:35) -- Day Eighteen: 408 Hours on the Run (3:24) -- A Nightmare (2:28) -- Losing Liberty and Privacy (1:51) -- Still Feeding the Database (1:23) -- Credits: Erasing David: Surveillance vs. Privacy in the 21st-Century Data State (3:27). | |
| 520 | |a Filmmaker David Bond lives in the U.K.-surprisingly, one of the top surveillance states in the entire world. From ubiquitous street corner traffic cameras to countless business, medical, and government databases, there is a disconcertingly huge amount of personal information that has been collected on him and his family. In this film, David documents a harrowing experiment in which he tests just how much privacy he really has by attempting to drop out of sight for 30 days after inviting a pair of security experts to try to track him down. His unsuccessful flight, in combination with his investigation into data collection and data loss/misuse, paints a dystopian portrait of life in a surveillance state where even if people have nothing to hide, it doesn't mean they have nothing to fear. | ||
| 521 | 2 | |a 9 & up. | |
| 538 | |a Mode of access: Internet. | ||
| 538 | |a System requirements: FOD playback platform. | ||
| 590 | |a InfoBase Learning|b Films on Demand: Master Academic Collection - US | ||
| 650 | 0 | |a Electronic surveillance. | |
| 650 | 0 | |a Privacy. | |
| 650 | 6 | |a Surveillance électronique. | |
| 650 | 6 | |a Vie privée. | |
| 650 | 7 | |a Electronic surveillance|2 fast | |
| 650 | 7 | |a Privacy|2 fast | |
| 655 | 4 | |a Videorecording. | |
| 655 | 7 | |a Educational films|2 fast | |
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| 710 | 2 | |a Films for the Humanities & Sciences (Firm) | |
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