The new German objectivity
(eVideo)
Contributors
Status
Description
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Subjects
LC Subjects
OCLC Fast Subjects
Other Subjects
Composition (Photographie)
Documentaires télévisés.
Émissions éducatives télévisées.
Émissions télévisées autres que de fiction.
Films éducatifs.
Photographie -- Allemagne -- Histoire.
Photographie -- Histoire.
Photographie artistique -- Histoire.
Photographie.
Videorecording.
Vidéos sur Internet.
Documentaires télévisés.
Émissions éducatives télévisées.
Émissions télévisées autres que de fiction.
Films éducatifs.
Photographie -- Allemagne -- Histoire.
Photographie -- Histoire.
Photographie artistique -- Histoire.
Photographie.
Videorecording.
Vidéos sur Internet.
More Details
Published
New York, N.Y. : Films Media Group, [2013], ©2011.
Format
eVideo
Language
English
Notes
General Note
Encoded with permission for digital streaming by Films Media Group on November 27, 2013.
General Note
Films on Demand is distributed by Films Media Group for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware.
General Note
Title from distributor's description.
Participants/Performers
Narrator, Mathieu Demy.
Description
In 1968, Bernd and Hilla Becher set out to photograph industrial buildings such as water towers, silos, and blast furnaces. Their goal was to return photography to the documentary nature of its origins and free it of "Expressionist meanderings," as German artists of the New Objectivity movement had done with other visual arts. The Dusseldorf school - the Bechers and their students - was to radically impact photography with its strict, dispassionate portrayals and predilection for straight lines. This program tells the story of the Dusseldorf school of photography, a legacy of Germany's New Objectivity, and its evolution since 1968. Covers Candida Höfer, Petra Wünderlich, Thomas Struth, Thomas Ruff, and Andréas Gursky, focusing on the Bechers' industrial typologies, "Collegium Helveticum," Wünderlich's religious buildings, "Art Institute of Chicago II," Ruff's "Portraits," and "jpegs."
Target Audience
10 & up.
Local note
InfoBase Learning,Films on Demand: Master Academic Collection - US
Citations
APA Citation, 7th Edition (style guide)
Neumann, S., & Demy, M. (20132011). The new German objectivity . Films Media Group.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Neumann, Stan, 1949- and Mathieu Demy. 20132011. The New German Objectivity. New York, N.Y.: Films Media Group.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Neumann, Stan, 1949- and Mathieu Demy. The New German Objectivity New York, N.Y.: Films Media Group, 20132011.
Harvard Citation (style guide)Neumann, S. and Demy, M. (n.d.). The new german objectivity. New York, N.Y.: Films Media Group.
MLA Citation, 9th Edition (style guide)Neumann, Stan, and Mathieu Demy. The New German Objectivity Films Media Group, 20132011.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
26309146-1c93-f988-ed7e-5beea13419c8-eng
Grouping Information
| Grouped Work ID | 26309146-1c93-f988-ed7e-5beea13419c8-eng |
|---|---|
| Full title | new german objectivity |
| Author | arte france |
| Grouping Category | movie |
| Last Update | 2024-08-18 06:12:27AM |
| Last Indexed | 2025-02-12 02:05:38AM |
Book Cover Information
| Image Source | default |
|---|---|
| First Loaded | Aug 30, 2024 |
| Last Used | Nov 26, 2024 |
Marc Record
| First Detected | Aug 13, 2024 02:32:53 PM |
|---|---|
| Last File Modification Time | Aug 13, 2024 02:32:53 PM |
MARC Record
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| 500 | |a Encoded with permission for digital streaming by Films Media Group on November 27, 2013. | ||
| 500 | |a Films on Demand is distributed by Films Media Group for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware. | ||
| 500 | |a Title from distributor's description. | ||
| 505 | 0 | |a Introduction to Becher Photography (0:56) -- Documenting the Industrial Era (1:21) -- Photographic Objectivity Rules (1:42) -- Becher Arrangements (1:32) -- Dusseldorf School of Photography (1:26) -- Petra Wunderlich (1:50) -- Candida H̲fer (2:55) -- Thomas Struth (1:33) -- Andreas Gursky (3:22) -- Departing from Objective Realism (2:02) -- Altering Reality in Photographs (1:01) -- Objectivity in Portraits (2:13) -- Infrared Camera Experiments (1:15) -- Using Internet Photographs (Mature) (1:17) -- Conclusion to New Objectivity (0:42) -- Credits: The New German Objectivity: Photo (0:27). | |
| 511 | 0 | |a Narrator, Mathieu Demy. | |
| 520 | |a In 1968, Bernd and Hilla Becher set out to photograph industrial buildings such as water towers, silos, and blast furnaces. Their goal was to return photography to the documentary nature of its origins and free it of "Expressionist meanderings," as German artists of the New Objectivity movement had done with other visual arts. The Dusseldorf school - the Bechers and their students - was to radically impact photography with its strict, dispassionate portrayals and predilection for straight lines. This program tells the story of the Dusseldorf school of photography, a legacy of Germany's New Objectivity, and its evolution since 1968. Covers Candida Höfer, Petra Wünderlich, Thomas Struth, Thomas Ruff, and Andréas Gursky, focusing on the Bechers' industrial typologies, "Collegium Helveticum," Wünderlich's religious buildings, "Art Institute of Chicago II," Ruff's "Portraits," and "jpegs." | ||
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