Mapplethorpe : Look At The Pictures
(eVideo)
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Published
[Place of publication not identified] : Home Box Office (Firm), [2016].
Format
eVideo
Language
English
Notes
General Note
Originally released by Home Box Office (Firm), 2016.
General Note
Streaming video file encoded with permission for digital streaming by Films Media Group on August 05, 2016.
General Note
Title from distributor's description (Films Media Group, August 16, 2016).
Description
In 1989, on the floor of Congress, Senator Jesse Helms implored America to "Look at the pictures," while denouncing the controversial art of Robert Mapplethorpe, whose photographs pushed social boundaries with their frank depictions of nudity, sexuality and fetishism - and ignited a culture war that rages to this day. More than 25 years later, the HBO Documentary Films presentation Mapplethorpe: Look at the Pictures does just that, taking an unflinching, unprecedented look at Mapplethorpe's most provocative work. From acclaimed filmmakers Fenton Bailey and Randy Barbato (Inside Deep Throat; HBO's Wishful Drinking and The Eyes of Tammy Faye), and produced by Katharina Otto-Bernstein (Absolute Wilson), the film is the first feature-length documentary about the artist since his death from AIDS in 1989 (at age 42), and is the most comprehensive film on Mapplethorpe ever made. The film goes inside preparations for two landmark Mapplethorpe retrospectives, at The J. Paul Getty Museum and The Los Angeles County Museum of Art (LACMA), utilizing the exhibitions as a jumping-off point to tell the complete story of Mapplethorpe's life and work, and to explore the interplay between his personal and professional lives. A fresh, fascinating and candid look at an iconic and divisive figure, Mapplethorpe: Look at the Pictures shines a light on a controversial artist who helped turn contemporary photography into a fine art.
Target Audience
12 & up.
Language
Closed-captioned.
Local note
InfoBase Learning,Films on Demand: Master Academic Collection - US
Citations
APA Citation, 7th Edition (style guide)
(2016). Mapplethorpe: Look At The Pictures . Home Box Office (Firm).
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2016. Mapplethorpe: Look At The Pictures. Home Box Office (Firm).
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Mapplethorpe: Look At The Pictures Home Box Office (Firm), 2016.
MLA Citation, 9th Edition (style guide)Mapplethorpe: Look At The Pictures Home Box Office (Firm), 2016.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
1fe16b1f-fe06-4361-b79a-c08b4dcd7815-eng
Grouping Information
| Grouped Work ID | 1fe16b1f-fe06-4361-b79a-c08b4dcd7815-eng |
|---|---|
| Full title | mapplethorpe look at the pictures |
| Author | films media group |
| Grouping Category | movie |
| Last Update | 2024-08-18 06:56:03AM |
| Last Indexed | 2024-10-25 02:04:09AM |
Book Cover Information
| Image Source | default |
|---|---|
| First Loaded | Oct 30, 2024 |
| Last Used | Nov 10, 2024 |
Marc Record
| First Detected | Aug 13, 2024 02:33:43 PM |
|---|---|
| Last File Modification Time | Aug 13, 2024 02:33:43 PM |
MARC Record
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| 505 | 0 | 0 | |t Controversial Photographer|g (4:32) --|t Mapplethorpe's Youth|g (3:16) --|t Religious Background|g (1:47) --|t Mapplethorpe's Education|g (2:28) --|t Unusual Art|g (2:55) --|t Identifying as an Artist|g (2:33) --|t Living in the Chelsea Hotel|g (3:15) --|t New Innovative Art Form?|g (2:38) --|t Polaroid Camera Phase|g (2:49) --|t David Croland and Mapplethorpe|g (2:41) --|t Polaroid Photographs|g (3:51) --|t Sadism and Masochism|g (2:14) --|t Mapplethorpe's Benefactor|g (2:35) --|t Collecting Photography|g (2:41) --|t Delving into Pornography|g (2:15) --|t Unabashedly Ambitious|g (2:03) --|t Mapplethorpe's Double Life|g (2:43) --|t X Portfolio|g (5:52) --|t Print for Mom and Dad|g (2:34) --|t "Portraits" and "Erotic Pictures" Exhibitions|g (2:36) --|t Moving "Uptown"|g (3:48) --|t Marcus Leatherdale|g (2:36) --|t Bond Street Loft|g (2:45) --|t Mapplethorpe's Vision|g (3:25) --|t Obsessed with African Americans|g (2:48) --|t Black Males Exhibit|g (3:37) --|t Jack Walls|g (3:38) --|t Perfectionism|g (3:02) --|t Competition between Brothers|g (2:57) --|t Mine Shaft Closes|g (2:45) --|t Commercial Work|g (3:04) --|t Exhibiting Mapplethorpe|g (3:57) --|t "The Perfect Moment"|g (2:17) --|t Mapplethorpe's Final Days|g (3:03) --|t "The Perfect Moment" Tours the Country|g (2:22) --|t Mapplethorpe's Legacy|g (1:47) --|t Credits: Mapplethorpe: Look At the Pictures|g (1:45). |
| 520 | |a In 1989, on the floor of Congress, Senator Jesse Helms implored America to "Look at the pictures," while denouncing the controversial art of Robert Mapplethorpe, whose photographs pushed social boundaries with their frank depictions of nudity, sexuality and fetishism - and ignited a culture war that rages to this day. More than 25 years later, the HBO Documentary Films presentation Mapplethorpe: Look at the Pictures does just that, taking an unflinching, unprecedented look at Mapplethorpe's most provocative work. From acclaimed filmmakers Fenton Bailey and Randy Barbato (Inside Deep Throat; HBO's Wishful Drinking and The Eyes of Tammy Faye), and produced by Katharina Otto-Bernstein (Absolute Wilson), the film is the first feature-length documentary about the artist since his death from AIDS in 1989 (at age 42), and is the most comprehensive film on Mapplethorpe ever made. The film goes inside preparations for two landmark Mapplethorpe retrospectives, at The J. Paul Getty Museum and The Los Angeles County Museum of Art (LACMA), utilizing the exhibitions as a jumping-off point to tell the complete story of Mapplethorpe's life and work, and to explore the interplay between his personal and professional lives. A fresh, fascinating and candid look at an iconic and divisive figure, Mapplethorpe: Look at the Pictures shines a light on a controversial artist who helped turn contemporary photography into a fine art. | ||
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