Hindu Sculpture : The Many Faces of God
(eVideo)
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Published
[Place of publication not identified] : Cinetic Rights Management LLC., [2013].
Format
eVideo
Language
English
Notes
General Note
Originally released by Cinetic Rights Management LLC., 2013.
General Note
Streaming video file encoded with permission for digital streaming by Infobase on October 04, 2017.
Description
Hinduism has long accepted additions—to its pantheon, philosophies, devotional practices—but it has never discarded its ancient traditions. As a result, the religion reveals both dizzying diversity and strong strains of continuity. Joan Cummins, Curator of Asian Art at Brooklyn Museum, looks primarily at sculptures from the exhibition From India East, to seek out the commonalities between seemingly disparate images of Hindu and Buddhist deities. The sculptures reveal a network of exchange and appropriation that is far richer and more complex than the simple eastward vector of influence that we expect to find in the history of Asian art.
Target Audience
9 - 12, Academic/AP
Language
Closed-captioned.
Local note
InfoBase Learning,Films on Demand: Master Academic Collection - US
Citations
APA Citation, 7th Edition (style guide)
(2013). Hindu Sculpture: The Many Faces of God . Cinetic Rights Management LLC..
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2013. Hindu Sculpture: The Many Faces of God. [Place of publication not identified]: Cinetic Rights Management LLC.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Hindu Sculpture: The Many Faces of God [Place of publication not identified]: Cinetic Rights Management LLC, 2013.
Harvard Citation (style guide)(2013). Hindu sculpture: the many faces of god. [Place of publication not identified]: Cinetic Rights Management LLC.
MLA Citation, 9th Edition (style guide)Hindu Sculpture: The Many Faces of God Cinetic Rights Management LLC., 2013.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
1704da32-4596-a794-cbf4-61c2169bf04d-eng
Grouping Information
Grouped Work ID | 1704da32-4596-a794-cbf4-61c2169bf04d-eng |
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Full title | hindu sculpture the many faces of god |
Author | infobase |
Grouping Category | movie |
Last Update | 2024-08-18 07:54:41AM |
Last Indexed | 2025-01-30 02:04:21AM |
Book Cover Information
Image Source | default |
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First Loaded | Oct 12, 2024 |
Last Used | Oct 12, 2024 |
Marc Record
First Detected | Aug 13, 2024 02:34:57 PM |
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Last File Modification Time | Aug 13, 2024 02:34:57 PM |
MARC Record
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505 | 0 | 0 | |t Agni, God of Fire (6:56);|t Agni and Vedic Tradition (4:16);|t Nature and Fertility Gods (5:31);|t Protagonist Gods (4:53);|t What Did Gods Look Like? (1:35);|t Iconography and Temple Exteriors (3:26);|t Vedic Guardians and Buddhism (7:16);|t Hinduism Spreads (10:29);|t Vishnu and Buddha (7:08); |
520 | |a Hinduism has long accepted additions—to its pantheon, philosophies, devotional practices—but it has never discarded its ancient traditions. As a result, the religion reveals both dizzying diversity and strong strains of continuity. Joan Cummins, Curator of Asian Art at Brooklyn Museum, looks primarily at sculptures from the exhibition From India East, to seek out the commonalities between seemingly disparate images of Hindu and Buddhist deities. The sculptures reveal a network of exchange and appropriation that is far richer and more complex than the simple eastward vector of influence that we expect to find in the history of Asian art. | ||
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