Tradition and the African female writer: the example of Buchi Emecheta / by Theodora Akachi Ezeigbo
Buchi Emecheta and the tradition of Ifo: continuation and writing back / by Susan Arndt
Nigerian legal concepts in Buchi Emecheta's The bride price / by Rebecca Boostrom
The shallow grave: archetypes of female experience in African fiction / by Florence Stratton
Orality and patriarchal dominance in Buchi Emecheta's The slave girl / by Tom Spencer-Walters
Venturing into feminist consciousness: two protagonists from the fiction of Buchi Emecheta and Bessie Head / by Nancy Topping Bazin
Replacing myth with myth: the feminist streak in Buchi Emecheta's Double yoke / by Ezenwa-Ohaeto.
Her ancestor's voice: the ibéji transcendence of duality in Buchi Emecheta's Kehinde / by Brenda F. Berrian
Procreation, not recreation: decoding mama in Buchi Emecheta's The joys of motherhood / by Marie Umeh
Trajectories of rape in Buchi Emecheta's novels / by Tuzyline Jita Allan
Desire and the politics of control in The joys of motherhood and The family / by Shivaji Sengupta
Technique and language in Buchi Emecheta's The bride price, The slave girl, and The joys of motherhood / by Ernest N. Emenyonu
Second-class citizen: the point of departure for understanding Buchi Emecheta's major fiction / by Abioseh Michael Porter
Buchi Emecheta, laughter and silence: changes in the concepts of "woman", "wife", and "mother" / by M.J. Daymond.
Language and gender conflict in Buchi Emecheta's Second-class citizen / by Obododimma Oha
They were there, too: women and the civil war(s) in Destination Biafra / by Abioseh M. Porter
Coming to terms: Buchi Emecheta's Kehinde and the birth of a "nation" / by John C. Hawley
Tropes of survival: protest and affirmation in Buchi Emecheta's autobiography, Head above water / by Ezenwa-Ohaeto
The London novels of Buchi Emecheta / by Christine W. Sizemore
Buchi Emecheta: politics, war, and feminism in Destination Biafra / by J.O.J. Nwachukwu-Agbada
To ground the wandering muse; a critique of Buchi Emecheta's feminism / by Pauline Ada Uwakweh.