Note / James Agate

How the early actors transformed themselves in their parts / Richard Flecknoe

Mrs. Barry, Mrs. Bracegirdle and Doggett in Love for Love, On the death of Betterton, On Wilks and Cibber / Sir Richard Steele

His fun about the Italian opera, On the history of the Italian opera / Joseph Addison

The character of Falstaff and a cut scene, On Barry as Richard III, Hamlet compared with its original: where Shakespeare erred, Mrs. Behn's The Rover shocks the ladies and delights the men, On The Tragedy of Douglas, The critic on a young actor's first and fiery Tryal, How Mrs. Centlivre kept her secret, On Congreve's wit in Love for Love, On The Provoked Wife and The Millers, On The Way of the World, David Garrick compared with Woodward in The Busy Body / The London Chronicle

Remarks on our theatres, study of Mlle. Clairon / Oliver Goldsmith

Its critical examen of Garrick₂s abilities as an actor / The Theatrical Review

On the profession of a player / James Boswell

David Garrick and other contemporaries in Macbeth / Francis Gentleman

David Garrick as Lear, Mrs. Yates as Jane Shore / Henry Bate

Mrs. Siddons and her roles / Thomas Holcroft

Mrs. Siddons appears as Lady Macbeth / John Taylor

Fiery criticisms of Ryder, Mrs. Siddons, Kemble and Bensley / The Devil's Pocket-book

On Mr. Pope

A robustious fellow, who tears a passion to tatters, On Mr. Matthew's comic roles, On the Death of Elliston / Leigh Hunt

On the acting of Munden / Charles Lamb

On Edmund Kean's Richard, On the art of Mrs. Siddons, On Kean's Lear / William Hazlitt

On Mr. Grimaldi / The theatrical looker-on

Macready as Hamlet, On Macready's production of King Lear / John Forster

Was Macready a good actor?, On the Phedre of Rachel, On Lemaitre's great roles, On Fechter and Ristori / George Henry Lewes

Samuel Phelps at Sadler's wells, On Fechter's Othello / Henry Morley

Signor Salvini and other players of Othello, On the comedie Francaise, On Sarah Bernhardt in Hernani, On the triumph of Bernhardt, On Alfred de Musset's dramas, Le barbier de Seville, Andromaque, etc. / Joseph Knight

Henry Irving's Hamlet, Irving's Louis XI, On Ellen Terry's new Olivia / Clement Scott

Sarah Bernhardt as Phedre / W.T. Arnold

On George Bernard Shaw's Arms and the man, On Pinero's The notorious Mrs. Ebbsmith, Mrs. Ebbsmith again / William Archer

Duse and Bernhardt / George Bernard Shaw

On Benson's Richard II / C.E. Montague

On Rejane as Sapho / J.T. Grein

On Bernard Shaw's The Doctor's Dilemma, On Zaza, A new theatrical adventure started with King Lear / A.B. Walkley

Sarah, Henry Irving / Max Beerbohm

On Ibsen's The master builder / C.H. Herford

On Coriolanus and Love's labour's lost at Stratford / Allan Monkhouse

On Bernard Shaw's Androcles and the Lion, On Chekov's Uncle Vanya / Desmond MacCarthy

On Clemence Dane's Will Shakespeare, On Dryden's All for love / St. John Ervine

Studies of Eleonora Duse and Sarah Bernhardt / Arthur Symons

No more parades, On Antony and Cleopatra at the Old Vic, Tribute to Sydney Morgan / Ivor Brown

On Shakespeare's clowns / Ashley Dukes

On Sean O'Casey's The silver tassie, On Godfrey Tearle's Hamlet, On Andre Obey's Le viol de lucrece / Charles Morgan

On Oedipus Tyrannus

Produced by the O.U.D.S. / Crompton Rhodes

On John Barrymore's Hamlet, On C.B. Cochran's production of Helen! / James Agate.