Songs & dances from Shakespeare
(eMusic)

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Subjects

LC Subjects
Dance music -- England.
Musical settings.
Shakespeare, William, -- 1564-1616 -- Musical settings.
Shakespeare, William, -- 1564-1616 -- Songs and music.
Songs, English.
Streaming audio.
OCLC Fast Subjects
Dance music
England
Music
Musical settings
Shakespeare, William, -- 1564-1616
Songs and music
Songs, English
Other Subjects
Chansons anglaises.
Danse, Musique de -- Angleterre.
Mises en musique.

More Details

Published
[Wotton-Under-Edge], Eng. : Saydisc Records, ©1995.
Format
eMusic
Language
English
UPC
GBAJX9540901, GBAJX9540902, GBAJX9540903, GBAJX9540904, GBAJX9540905, GBAJX9540906, GBAJX9540907, GBAJX9540908, GBAJX9540909, GBAJX9540910, GBAJX9540911, GBAJX9540912, GBAJX9540913, GBAJX9540914, GBAJX9540915, GBAJX9540916, GBAJX9540917, GBAJX9540918, GBAJX9540919, GBAJX9540920, GBAJX9540921, GBAJX9540922, GBAJX9540923, GBAJX9540924, GBAJX9540925, GBAJX9540926, GBAJX9540927, GBAJX9540928, GBAJX9540929, GBAJX9540930, GBAJX9540931, GBAJX9540932, GBAJX9540933, GBAJX9540934, GBAJX9540936, GBAJX9540937, GBAJX9540938, GBAJX9540939

Notes

General Note
Timings of individual pieces and the plays in which they were used on container and in booklet.
Participants/Performers
Deborah Roberts, soprano ; John Potter, tenor ; the Broadside Band ; Jeremy Barlow, director.
Local note
Naxos Digital Services Ltd,Naxos Music Library: US Subscription

Citations

APA Citation, 7th Edition (style guide)

Broadside Band., Roberts, D., Potter, J. (., & Barlow, J. (1995). Songs & dances from Shakespeare . Saydisc Records.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Broadside Band et al.. 1995. Songs & Dances From Shakespeare. [Wotton-Under-Edge], Eng.: Saydisc Records.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Broadside Band et al.. Songs & Dances From Shakespeare [Wotton-Under-Edge], Eng.: Saydisc Records, 1995.

Harvard Citation (style guide)

Broadside Band., Roberts, D., Potter, J. (. and Barlow, J. (1995). Songs & dances from shakespeare. [Wotton-Under-Edge], Eng.: Saydisc Records.

MLA Citation, 9th Edition (style guide)

Broadside Band., Deborah Roberts, John (Tenor) Potter, and Jeremy Barlow. Songs & Dances From Shakespeare Saydisc Records, 1995.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Grouped Work ID
927621c9-3020-b527-0a6c-0d703cca8286-eng
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Grouping Information

Grouped Work ID927621c9-3020-b527-0a6c-0d703cca8286-eng
Full titlesongs and dances from shakespeare
Authorbroadside band
Grouping Categorymusic
Last Update2024-08-18 06:12:27AM
Last Indexed2025-02-12 02:21:51AM

Book Cover Information

Image Sourcedefault
First LoadedFeb 8, 2025
Last UsedFeb 8, 2025

Marc Record

First DetectedAug 13, 2024 01:40:17 PM
Last File Modification TimeAug 13, 2024 01:40:17 PM

MARC Record

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500 |a Timings of individual pieces and the plays in which they were used on container and in booklet.
5050 |a I. Songs with music probably used in the original productions: Full fathom five thy father lies --Where the bee sucks, there suck -- O mistress mine where are you roaming? -- The poor soul sat sighing -- It was a lover and his lass. II. Popular dance types referred to in the plays: Sellengers round -- Scottish jigge -- Hoboken brawl -- Staines Morris 2.
5050 |a III. Traditional and speculative matchings of song texts in the plays with popular tunes dating back to Shakespeare: How should I your true love know -- Tomorrow is St. Valentine's Day --And will he not come again -- In youth when I did love -- The Woosell cock so black of hue -- O sweet Oliver -- When daffodils begin to peer -- Jog on, jog on the footpath way -- When that I was and a little tine.
5050 |a IV. Divisions on a ground: English dances based on chord sequences from Italy: Kemp's jig -- Passamezzo pavan -- Bergamasca -- QM [Qneen Mary's] dumpe. V. Original versions of songs & ballads used or mentiuoned in thew plays: As you came from that holy land -- I loathe that I did love -- Bonny sweet Robin -- Come live with me -- There dwelt a man in Babylon -- Farewell dear love -- Fortune my foe.
5050 |a VI. Dances for the gentry and upper classes: The Earl of Essex measure -- La volta -- The Sinkapace Galliard -- Coranto. VII. Songs with music probably dating from early revivals of the plays: Take, O take those lips away --Sigh no more, ladies -- Hark, hark the lark --Lawn as white as driven snow -- Get ye hence -- When that I was and a little tiny boy.
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