Gaîté parisienne : 1938 ; Offenbachiana : 1953
(eMusic)
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Published
[Place of publication not identified] : Naxos, [1999], ℗1997.
Format
eMusic
Language
None
UPC
HKI199612401, HKI199612402, HKI199612403, HKI199612404, HKI199612405, HKI199612406, HKI199612407, HKI199612408, HKI199612409, HKI199612410, HKI199612411, HKI199612412, HKI199612413, HKI199612414, HKI199612415, HKI199612416, HKI199612417, HKI199612418, HKI199612419, HKI199612420, HKI199612421, HKI199612422, HKI199612423, HKI199612424, HKI199612425, HKI199612426, HKI199612427, HKI199612428
Notes
General Note
The 1st work a ballet.
Participants/Performers
Orchestre philharmonique de Monte-Carlo ; Manuel Rosenthal, conductor.
Date/Time and Place of Event
Recorded at the Palais des Congrès, Monte-Carlo, July 2-6, 1996.
Language
Program notes (6 pages) in English and French inserted in container.
Local note
Naxos Digital Services Ltd,Naxos Music Library: US Subscription
Citations
APA Citation, 7th Edition (style guide)
Offenbach, J., & Rosenthal, M. (19991997). Gaîté parisienne: 1938 ; Offenbachiana : 1953 . Naxos.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Offenbach, Jacques, 1819-1880 and Manuel Rosenthal. 19991997. Gaîté Parisienne: 1938 ; Offenbachiana : 1953. [Place of publication not identified]: Naxos.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Offenbach, Jacques, 1819-1880 and Manuel Rosenthal. Gaîté Parisienne: 1938 ; Offenbachiana : 1953 [Place of publication not identified]: Naxos, 19991997.
Harvard Citation (style guide)Offenbach, J. and Rosenthal, M. (n.d.). Gaîté parisienne: 1938 ; offenbachiana : 1953. [Place of publication not identified]: Naxos.
MLA Citation, 9th Edition (style guide)Offenbach, Jacques, and Manuel Rosenthal. Gaîté Parisienne: 1938 ; Offenbachiana : 1953 Naxos, 19991997.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
2d50f7aa-c61d-e9bf-38fc-ff9e84cd068b-zxx
Grouping Information
| Grouped Work ID | 2d50f7aa-c61d-e9bf-38fc-ff9e84cd068b-zxx |
|---|---|
| Full title | gaîté parisienne 1938 offenbachiana 1953 |
| Author | offenbach jacques |
| Grouping Category | music |
| Last Update | 2024-08-18 06:12:27AM |
| Last Indexed | 2025-01-30 02:08:35AM |
Book Cover Information
| Image Source | default |
|---|---|
| First Loaded | Nov 24, 2024 |
| Last Used | Nov 24, 2024 |
Marc Record
| First Detected | Aug 13, 2024 01:41:08 PM |
|---|---|
| Last File Modification Time | Aug 13, 2024 01:41:08 PM |
MARC Record
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| 008 | 121015p19991996xx munn o n zxx d | ||
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| 024 | 0 | |a HKI199612406 | |
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| 024 | 0 | |a HKI199612413 | |
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| 500 | |a The 1st work a ballet. | ||
| 505 | 0 | |a Haite Parisienne. Ouverture ; Allegro brillante ; Polka ; Poco allegro ; A tempo de Landler ; Mazurka ; Valse ; Allegro ; Polka ; Valse lente ; Tempo di marcia ; Valse moderato ; Vivo ; Valse ; Allegro molto ; Valse ; Allegro ; Cancan ; Quadrille ; Allegro ; Allegro moderato ; Allegro ; Allegro ; Vivo ; Barcarolle -- Offenbachiana. Ouverture ; Barbe-Bleu ; La Grande-Duchesse de Gerolstein ; Barbe-Bleu ; La Fille du Tambour-Majeur ; La Vie Parisienne ; La Grande-Duchesse de Gerolstein ; Barbe-Bleu. | |
| 511 | 0 | |a Orchestre philharmonique de Monte-Carlo ; Manuel Rosenthal, conductor. | |
| 518 | |a Recorded at the Palais des Congrès, Monte-Carlo, July 2-6, 1996. | ||
| 546 | |a Program notes (6 pages) in English and French inserted in container. | ||
| 588 | 0 | |a Hard copy version record. | |
| 590 | |a Naxos Digital Services Ltd|b Naxos Music Library: US Subscription | ||
| 650 | 0 | |a Ballets. | |
| 650 | 0 | |a Operas|v Excerpts, Arranged. | |
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| 650 | 6 | |a Opéras|v Extraits arr. | |
| 650 | 7 | |a Ballets.|2 fast|0 (OCoLC)fst00826066 | |
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| 655 | 7 | |a Excerpts.|2 fast|0 (OCoLC)fst01692837 | |
| 655 | 7 | |a Arrangements (Music)|2 lcgft | |
| 655 | 7 | |a Excerpts.|2 lcgft | |
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| 740 | 0 | 2 | |a Offenbachiana. |
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