The golden age of the cornett.
(eMusic)
Contributors
Dongois, William, instrumentalist.
Palestrina, Giovanni Pierluigi da, 1525?-1594. Motets (1584 : Voices (4)).
Victoria, Tomás Luis de, approximately 1548-1611. Motets (1572).
Pandolfi Mealli, Giovanni Antonio. Sonatas, violin, continuo, op. 3.
Castello, Dario, active 1621-1644. Sonate concertate in stil moderno, libro 1o. N. 2.
Palestrina, Giovanni Pierluigi da, 1525?-1594. Motets (1584 : Voices (4)).
Victoria, Tomás Luis de, approximately 1548-1611. Motets (1572).
Pandolfi Mealli, Giovanni Antonio. Sonatas, violin, continuo, op. 3.
Castello, Dario, active 1621-1644. Sonate concertate in stil moderno, libro 1o. N. 2.
Status
Description
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Subjects
LC Subjects
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More Details
Published
[Belgium] : Accent, [2013].
Format
eMusic
Language
Latin
UPC
DECP61213001, DECP61213002, DECP61213003, DECP61213004, DECP61213005, DECP61213006, DECP61213007, DECP61213008, DECP61213009, DECP61213010, DECP61213011, DECP61213012, DECP61213013, DECP61213014, DECP61213015, DECP61213016, DECP61213017, DECP61213018, DECP61213019, DECP61213020, DECP61213021, DECP61213022
Notes
General Note
Anthology of vocal and instrumental works of the late Renaissance and Baroque eras, chiefly featuring the cornet; also includes vocal works for soprano solo with continuo or instrumental ensemble.
Participants/Performers
William Dongois, cornet ; Le Concert Brisé (Carsten Lohff, harpsichord, organ ; Freddy Eichelberger, organ and clavicythérium ; Benjamin Perrot, lute and theorbo ; Julie Hassler, soprano ; Christine Moran, violin ; Anne-Catherine Bucher, organ ; William Dongois, cornett and director).
Date/Time and Place of Event
Recorded,2003 September 27-29 and 2005 June 27-July 1,Church of Waly (Meuse).
Description
William Dongois is one of the best-known cornettists today. He is able to play the repertoire of his instrument with dancelike elegance, rhetorical concision, and even with a certain 'groove'. Together with the ensemble Le Concert Brise, he dedicates himself to the Golden Age of the cornett, between 1580 and 1630 in Northern Italy when the instrument enjoyed its greatest popularity amongst composers and listeners.
Language
Sung in Latin or Italian.
Local note
Naxos Digital Services Ltd,Naxos Music Library: US Subscription
Citations
APA Citation, 7th Edition (style guide)
Dongois, W., Palestrina, G. P. d., Victoria, T. L. d., Pandolfi Mealli, G. A., Castello, D., Grandi, A., Fontana, G. B., Scarani, G., & Monteverdi, C. (2013). The golden age of the cornett . Accent.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)William, Dongois et al.. 2013. The Golden Age of the Cornett. [Belgium]: Accent.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)William, Dongois et al.. The Golden Age of the Cornett [Belgium]: Accent, 2013.
Harvard Citation (style guide)Dongois, W., Palestrina, G. P. d., Victoria, T. L. d., Pandolfi Mealli, G. A., Castello, D., Grandi, A. and Fontana, G. B. et al (2013). The golden age of the cornett. [Belgium]: Accent.
MLA Citation, 9th Edition (style guide)Dongois, William,, et al. The Golden Age of the Cornett Accent, 2013.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
4f1508bd-cb92-c473-f63f-161260120f3d-lat
Grouping Information
| Grouped Work ID | 4f1508bd-cb92-c473-f63f-161260120f3d-lat |
|---|---|
| Full title | golden age of the cornett |
| Author | concert brisé |
| Grouping Category | music |
| Last Update | 2024-08-18 06:56:03AM |
| Last Indexed | 2025-02-12 02:11:11AM |
Book Cover Information
| Image Source | default |
|---|---|
| First Loaded | Feb 10, 2025 |
| Last Used | Feb 10, 2025 |
Marc Record
| First Detected | Aug 13, 2024 01:46:45 PM |
|---|---|
| Last File Modification Time | Aug 13, 2024 01:46:45 PM |
MARC Record
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| 500 | |a Anthology of vocal and instrumental works of the late Renaissance and Baroque eras, chiefly featuring the cornet; also includes vocal works for soprano solo with continuo or instrumental ensemble. | ||
| 505 | 0 | |a Music for cornett in 17th century Italy. Domine, quando veneris / P.L. Palestrina, Richardo Rognoni -- L'aria di Firenze : (pavane, gaillarde et saltarello) -- Vadam et circuibo / Giovanni Battista Bovicelli, Tomás Luis de Vittoria -- Gaillarde napolitaine -- Sonata La Clemente / Giovanni Antonio Pandolfi-Mealli -- Anchor che col partir / traditionnel (after Cipriano de Rore) -- Sonata seconda per canto solo / Dario Castello -- Io son ferito / Francesco Rognoni, Giovanni Pierluigi da Palestrina -- La Monica : aria e saltarello. | |
| 505 | 0 | |a Music in San Marco at the time of Monteverdi. Salve Regina (1647) / Alessandro Grandi -- Sonata terza in stil moderno (libro secondo 1629) / Dario Castello -- Tota pulchra es / A. Grandi -- Sonata seconda (1650) / Giovanni Batista Fontana -- Exultate jubilate : (1625 : Ghirlanda sacra) / Dario Castello -- Sonata seconda per canto solo (libro secondo 1629) / D. Castello -- Gaudete : (1637) / A. Grandi -- Sonata sesta à due canti (1629) / Giuseppe Scarani -- Pianto della Madona : (1641) / Claudio Monteverdi -- Sonata settima per corneto e violino (1650) / G.B. Fontana -- O quam tu pulchra es : (Ghirlanda sacra : 1625) / A. Grandi -- Sonata undecima per corneto e violino (1650) / G.B. Fontana -- Regina coeli (1637) / A. Grandi. | |
| 511 | 0 | |a William Dongois, cornet ; Le Concert Brisé (Carsten Lohff, harpsichord, organ ; Freddy Eichelberger, organ and clavicythérium ; Benjamin Perrot, lute and theorbo ; Julie Hassler, soprano ; Christine Moran, violin ; Anne-Catherine Bucher, organ ; William Dongois, cornett and director). | |
| 518 | |o Recorded|d 2003 September 27-29 and 2005 June 27-July 1|p Church of Waly (Meuse). | ||
| 520 | |a William Dongois is one of the best-known cornettists today. He is able to play the repertoire of his instrument with dancelike elegance, rhetorical concision, and even with a certain 'groove'. Together with the ensemble Le Concert Brise, he dedicates himself to the Golden Age of the cornett, between 1580 and 1630 in Northern Italy when the instrument enjoyed its greatest popularity amongst composers and listeners. | ||
| 546 | |a Sung in Latin or Italian. | ||
| 588 | 0 | |a Hard copy version record. | |
| 590 | |a Naxos Digital Services Ltd|b Naxos Music Library: US Subscription | ||
| 650 | 0 | |a Instrumental ensembles. | |
| 650 | 0 | |a Instrumental ensembles, Arranged. | |
| 650 | 0 | |a Motets. | |
| 650 | 0 | |a Sacred songs (High voice) with continuo. | |
| 650 | 0 | |a Sacred songs (High voice) with instrumental ensemble. | |
| 650 | 6 | |a Ensembles instrumentaux. | |
| 650 | 6 | |a Ensembles instrumentaux arr. | |
| 650 | 6 | |a Motets. | |
| 650 | 6 | |a Chants sacrés (Voix aiguë) acc. de basse continue. | |
| 650 | 6 | |a Chants sacrés (Voix aiguë) acc. d'ensemble instrumental. | |
| 650 | 7 | |a Instrumental ensembles.|2 fast|0 (OCoLC)fst00974411 | |
| 650 | 7 | |a Instrumental ensembles, Arranged.|2 fast|0 (OCoLC)fst00974413 | |
| 650 | 7 | |a Motets.|2 fast|0 (OCoLC)fst01026871 | |
| 650 | 7 | |a Sacred songs (High voice) with continuo.|2 fast|0 (OCoLC)fst01103145 | |
| 650 | 7 | |a Sacred songs (High voice) with instrumental ensemble.|2 fast|0 (OCoLC)fst01103148 | |
| 655 | 0 | |a Streaming audio. | |
| 655 | 7 | |a Arrangements (Music)|2 fast|0 (OCoLC)fst01920435 | |
| 655 | 7 | |a Motets.|2 fast|0 (OCoLC)fst01726673 | |
| 655 | 7 | |a Songs.|2 fast|0 (OCoLC)fst01726744 | |
| 655 | 7 | |a Arrangements (Music)|2 lcgft | |
| 655 | 7 | |a Motets.|2 lcgft | |
| 655 | 7 | |a Songs.|2 lcgft | |
| 655 | 7 | |a Arrangements (Musique)|2 rvmgf | |
| 655 | 7 | |a Motets.|2 rvmgf | |
| 700 | 1 | |a Dongois, William,|e instrumentalist. | |
| 700 | 1 | 2 | |i Container of (expression):|a Palestrina, Giovanni Pierluigi da,|d 1525?-1594.|t Motets|n (1584 : Voices (4)).|p Domine quando veneris;|o arranged. |
| 700 | 1 | 2 | |i Container of (expression):|a Victoria, Tomás Luis de,|d approximately 1548-1611.|t Motets|n (1572).|p Vadam, et circuibo civitatem;|o arranged. |
| 700 | 1 | 2 | |i Container of (work):|a Pandolfi Mealli, Giovanni Antonio.|t Sonatas,|m violin, continuo,|n op. 3.|p Clemente. |
| 700 | 1 | 2 | |i Container of (work):|a Castello, Dario,|d active 1621-1644.|t Sonate concertate in stil moderno,|n libro 1o.|n N. 2. |
| 700 | 1 | 2 | |i Container of (expression):|a Palestrina, Giovanni Pierluigi da,|d 1525?-1594.|t Io son ferito;|o arranged. |
| 700 | 1 | 2 | |i Container of (work):|a Grandi, Alessandro,|d -1630.|t Motetti con sinfonie,|n book 1.|p Salve Regina. |
| 700 | 1 | 2 | |i Container of (work):|a Castello, Dario,|d active 1621-1644.|t Sonate concertate in stil moderno,|n libro 2o.|n N. 3. |
| 700 | 1 | 2 | |i Container of (work):|a Grandi, Alessandro,|d -1630.|t Motets,|m voice, continuo.|p Tota pulchra es. |
| 700 | 1 | 2 | |i Container of (work):|a Fontana, Giovanni Battista,|d -1630.|t Sonatas|n (1641).|k Selections. |
| 700 | 1 | 2 | |i Container of (work):|a Castello, Dario,|d active 1621-1644.|t Exultate Deo. |
| 700 | 1 | 2 | |i Container of (work):|a Grandi, Alessandro,|d -1630.|t Motetti con sinfonie,|n book 3.|p Gaudete mecum. |
| 700 | 1 | 2 | |i Container of (work):|a Scarani, Giuseppe,|d active 1628-1641.|t Sonate concertate.|n N. 6. |
| 700 | 1 | 2 | |i Container of (work):|a Monteverdi, Claudio,|d 1567-1643.|t Selva morale e spirituale.|p Pianto della Madona. |
| 700 | 1 | 2 | |i Container of (work):|a Grandi, Alessandro,|d -1630.|t O quam tu pulchra es,|m voice, continuo. |
| 700 | 1 | 2 | |i Container of (work):|a Grandi, Alessandro,|d -1630.|t Motetti con sinfonie,|n book 3.|p Regina caeli. |
| 710 | 2 | |a Concert Brisé (Musical group),|e instrumentalist. | |
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