Includes bibliographical references (pages 263-275) and index.

"Challenging the traditional wisdom that Hemingway fashions a quintessentially masculine style and promotes an ideal of stoic, independent manhood, Strychacz argues that Hemingway's fiction poses masculinity as a theatrical performance. Masculinity emerges from a series of complex negotiations between male characters, readers, and cultural codes of manhood. Hemingway's "masculine" style should be seen as deeply rhetorical, inviting the audience to think of masculinity as a contention to be debated rather than a fact that demands acquiescence." "Drawing on feminism, gender studies, and the New Men's Studies, this book casts brilliant interpretive light on Hemingway's artistry. It contributes significantly to the larger cultural discussions about the nature of masculinity while offering an analysis and critique of masculinity in Hemingway's work that greatly extends recent scholarly debates about "masculine modernism." It raises the compelling question, What is "modernism" if "masculinity" is exposed as more problematic and elusive than previously suspected?"--Jacket.

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