In fact : the best of Creative nonfiction
(Book)
Contributors
Status
General Shelving - 3rd Floor
PS681 .I5 2005
1 available
PS681 .I5 2005
1 available
Description
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Copies
Location | Call Number | Status |
---|---|---|
General Shelving - 3rd Floor | PS681 .I5 2005 | On Shelf |
Subjects
LC Subjects
American essays.
American essays.
American prose literature -- 20th century.
American prose literature -- 20th century.
American prose literature -- 21st century.
American prose literature -- 21st century.
Creative nonfiction, American.
Creative nonfiction, American.
Creative nonfiction.
Journalism -- United States.
Reportage literature, American.
Reportage literature, American.
American essays.
American prose literature -- 20th century.
American prose literature -- 20th century.
American prose literature -- 21st century.
American prose literature -- 21st century.
Creative nonfiction, American.
Creative nonfiction, American.
Creative nonfiction.
Journalism -- United States.
Reportage literature, American.
Reportage literature, American.
OCLC Fast Subjects
Other Subjects
American essays.
American prose literature -- 20th century.
American prose literature -- 21st century.
Anthologie.
Essais américains.
Essais fictionnels.
Journalism -- United States.
Littérature de reportage américaine.
Nichtfiktionale Prosa
Prose américaine -- 20e siècle.
Prose américaine -- 21e siècle.
Reportage literature, American.
USA.
American prose literature -- 20th century.
American prose literature -- 21st century.
Anthologie.
Essais américains.
Essais fictionnels.
Journalism -- United States.
Littérature de reportage américaine.
Nichtfiktionale Prosa
Prose américaine -- 20e siècle.
Prose américaine -- 21e siècle.
Reportage literature, American.
USA.
More Details
Format
Book
Physical Desc
xxxvi, 440 pages ; 21 cm.
Language
English
UPC
9780393326659
Notes
Description
Creative nonfiction, also known as narrative nonfiction, liberated journalism by inviting writers to dramatize, interpret, speculate, and even re-create their subjects. Lee Gutkind collects twenty-five essays that flourished on this new ground, all originally published in the journal he founded, Creative nonfiction, now celebrating its tenth anniversary. Lauren Slater is a therapist in the institution where she was once a patient. John Edgar Wideman reacts passionately to the unjust murder of Emmett Till. Charles Simic tells of wild nights with Uncle Boris. John McPhee creates a rare, personal, album quilt. Terry Tempest Williams speaks on the decline of the prairie dog. Madison Smartt Bell invades Haiti. Many of the writers are crossing genres--from poetry and fiction to nonfiction--symbolic of Creative nonfiction's scope and popularity. A cross section of the famous and those bound to become so, this collection is a riveting experience highlighting the expanding importance of this dramatic and exciting new genre. A tenth anniversary collection of twenty-five narrative essays originally published in the journal, Creative nonfiction, includes Lauren Slater's discussion of her work as a therapist at an institution where she was once a patient, John Edgar Wideman's passionate reaction to the murder of Emmett Till, and John McPhee's personal album quilt.
Local note
SACFinal081324
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Citations
APA Citation, 7th Edition (style guide)
Gutkind, L. (2005). In fact: the best of Creative nonfiction . W.W. Norton & Co..
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Gutkind, Lee. 2005. In Fact: The Best of Creative Nonfiction. W.W. Norton & Co.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Gutkind, Lee. In Fact: The Best of Creative Nonfiction W.W. Norton & Co, 2005.
MLA Citation, 9th Edition (style guide)Gutkind, Lee. In Fact: The Best of Creative Nonfiction W.W. Norton & Co., 2005.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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