Analysis, synthesis, and perception of musical sounds : the sound of music
(Book)
Contributors
Status
General Shelving - 3rd Floor
ML3807 .A53 2007
1 available
ML3807 .A53 2007
1 available
Description
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Copies
Location | Call Number | Status |
---|---|---|
General Shelving - 3rd Floor | ML3807 .A53 2007 | On Shelf |
Subjects
LC Subjects
OCLC Fast Subjects
Other Subjects
Acoustics
acoustics.
Acoustique.
Acústica musical.
Akustik
Akustische Spektrographie
Auditory Perception
Auditory perception.
Aufsatzsammlung.
Klang
Music
music (discipline)
Music -- Acoustics and physics.
Music -- Physiological aspects.
Music -- Psychological aspects.
Musical perception.
Musik
Musikpsychologie
Musique -- Aspect physiologique.
Musique -- Aspect psychologique.
Musique.
Perception auditive.
Perception de la musique.
Percepção auditiva.
Percepção musical.
Physiologie
Som (música)
Spectrum Analysis -- methods
Spectrum analysis -- Methods.
Wahrnehmung
acoustics.
Acoustique.
Acústica musical.
Akustik
Akustische Spektrographie
Auditory Perception
Auditory perception.
Aufsatzsammlung.
Klang
Music
music (discipline)
Music -- Acoustics and physics.
Music -- Physiological aspects.
Music -- Psychological aspects.
Musical perception.
Musik
Musikpsychologie
Musique -- Aspect physiologique.
Musique -- Aspect psychologique.
Musique.
Perception auditive.
Perception de la musique.
Percepção auditiva.
Percepção musical.
Physiologie
Som (música)
Spectrum Analysis -- methods
Spectrum analysis -- Methods.
Wahrnehmung
More Details
Format
Book
Physical Desc
xxiv, 325 pages : illustrations ; 25 cm.
Language
English
Notes
Bibliography
Includes bibliographical references (pages 313-319) and index.
Description
Publisher description: The problems of analyzing and synthesizing musical timbres have been prevalent for over half a century, and a book length exploration of this large and complex subject has been long overdue. Analysis, Synthesis, and Perception of Musical Sounds: Sound of Music consists of eight chapters that span the range from tutorial introduction to advanced research and application to speculative assessment of its various techniques. All of the contributors use a generalized additive sine wave model for describing musical timbre which gives a conceptual unity but is of sufficient utility to be adapted to many different tasks. The authors represent an international community of researchers and teachers in the field of analysis/synthesis/perception, and this book reflects the important trends and interests current in the subject. Due to its breadth, students will find the book a thorough introduction to current thinking and implementation of additive sine wave timbral models. Researchers new to the field will find a canvas of applications with citations to the relevant literature, which will also benefit the teacher searching for an effective syllabus. Due to its scope, Analysis, Synthesis, and Perception of Musical Sounds will become the standard reference in the field and will be seen as the catalyst for exciting research in the years ahead.
Terms Governing Use and Reproduction
British Library not licensed to copy,0.,Uk
Local note
SACFinal081324
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Citations
APA Citation, 7th Edition (style guide)
Beauchamp, J. W. (2007). Analysis, synthesis, and perception of musical sounds: the sound of music . Springer.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Beauchamp, James W. 2007. Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music. New York: Springer.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Beauchamp, James W. Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music New York: Springer, 2007.
Harvard Citation (style guide)Beauchamp, J. W. (2007). Analysis, synthesis, and perception of musical sounds: the sound of music. New York: Springer.
MLA Citation, 9th Edition (style guide)Beauchamp, James W. Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music Springer, 2007.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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