Japanese ink painting: Shubun to Sesshu
(Book)
Uniform Title
Contributors
Darling, Bruce, translator.
Status
General Shelving - 3rd Floor
ND2071 .T313
1 available
ND2071 .T313
1 available
Description
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Location | Call Number | Status |
---|---|---|
General Shelving - 3rd Floor | ND2071 .T313 | On Shelf |
More Details
Format
Book
Physical Desc
174 pages illustrations (some color) 24 cm.
Language
English
Notes
Description
Traces the background, development and cultural significance of ink painting in Japan during the fifteenth and sixteenth centuries.
Description
The present book, abundantly illustrated with more than 180 photographs, of which 24 are in full color, traces the development of ink painting in Japan within the context of the country's emergence from the cultural influence of China some five centuries ago. In describing this transition, the author draws from the rich treasury of Japanese ink painting to illuminate his discussion. The works of Shubun and Sesshu represent, for this era, the beginning and the culmination of Japan's development of a painting style uniquely its own. Shubun, a Zen priest-painter active during the mid-fifteenth century, painted landscapes that showed a strong reliance on Chinese precedents and the established art academy in Kyoto. Nevertheless, instead of catering to the demands of the aristocracy, he and the members of his school painted for their own contemplation, thus initiating a shift toward greater independence. Sesshu, who died in 1506, was the first Japanese painter to create a purely individual style. Though he too was influenced by the great artist-teachers of Sung China, he went beyond their achievements by adding qualities of softness and grace that were intrinsically his own and were intimately related to the Japanese setting in which he worked. Escaping the restrictions of Kyoto, the ancient capital and center of culture, he went to the provinces, where he painted some of his most celebrated landscapes and assembled the coterie of followers who were to succeed him. By re-creating the artistic and social scene in which Shubun and Sesshu worked, as well as by presenting and discussing the important work of their predecessors, the book provides the background essential to an appreciation of Japanese ink painting. The author skillfully guides the reader to a basic understanding of artistic trends during one of the most significant stages in Japan's development of a great cultural tradition.
Language
880-01 Translation of Shubun kara Sesshu e.
Local note
SACFinal081324
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Citations
APA Citation, 7th Edition (style guide)
Tanaka, I., & Darling, B. (1972). Japanese ink painting: Shubun to Sesshu ([1st English ed.].). Weatherhill.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Tanaka, Ichimatsu, 1895-1983 and Bruce, Darling. 1972. Japanese Ink Painting: Shubun to Sesshu. New York: Weatherhill.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Tanaka, Ichimatsu, 1895-1983 and Bruce, Darling. Japanese Ink Painting: Shubun to Sesshu New York: Weatherhill, 1972.
Harvard Citation (style guide)Tanaka, I. and Darling, B. (1972). Japanese ink painting: shubun to sesshu. [1st English ed.]. New York: Weatherhill.
MLA Citation, 9th Edition (style guide)Tanaka, Ichimatsu, and Bruce Darling. Japanese Ink Painting: Shubun to Sesshu [1st English ed.]., Weatherhill, 1972.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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