Parodies of ownership : hip-hop aesthetics and intellectual property law
(Book)

Book Cover
Average Rating
Author
Schur, Richard L.
Status
On Shelf
General Shelving - 3rd Floor
KF4757 .S38 2009
1 available

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LocationCall NumberStatus
General Shelving - 3rd FloorKF4757 .S38 2009On Shelf

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Links

http://hdl.handle.net/2027/spo.6814160.0001.001
Additional Information at Google Books
Inhaltsverzeichnis

Subjects

LC Subjects
African Americans -- Legal status, laws, etc.
African Americans in popular culture.
Hip-hop -- Influence.
Intellectual property -- United States.
OCLC Fast Subjects
African Americans -- Legal status, laws, etc.
African Americans in popular culture.
Hip-hop -- Influence.
Intellectual property.
United States.
Other Subjects
African Americans -- Legal status, laws, etc.
African Americans in popular culture.
Estetik.
Geistiges Eigentum
Hip-hop -- Influence.
Hiphop.
Intellectual property -- United States.
Kultur
Noirs américains dans la culture populaire.
Propriété intellectuelle -- États-Unis.
Schwarze.
Upphovsrätt.
USA.

More Details

Format
Book
Physical Desc
[xv], 236 pages ; 24 cm
Language
English

Notes

Bibliography
Includes bibliographical references (pages 209-226) and index.
Description
The author examines how contemporary African American writers, artists, and musicians have developed an artistic form that Schur terms "hip-hop aesthetics." This book offers an in-depth examination of a wide range of contemporary African American painters and writers, including Anna Deavere Smith, Toni Morrison, Adrian Piper, Colson Whitehead, Michael Ray Charles, Alice Randall, and Fred Wilson. Their absence from conversations about African American culture has caused a misunderstanding about the nature of contemporary cultural issues and resulted in neglect of their innovative responses to the post--Civil Rights era. By considering their work as a cross-disciplinary and specifically African American cultural movement, the author shows how a new paradigm for artistic creation has developed.
Local note
SACFinal081324

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Citations

APA Citation, 7th Edition (style guide)

Schur, R. L. (2009). Parodies of ownership: hip-hop aesthetics and intellectual property law . University of Michigan Press : University of Michigan Library.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Schur, Richard L. 2009. Parodies of Ownership: Hip-hop Aesthetics and Intellectual Property Law. Ann Arbor, Mich.: University of Michigan Press : University of Michigan Library.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Schur, Richard L. Parodies of Ownership: Hip-hop Aesthetics and Intellectual Property Law Ann Arbor, Mich.: University of Michigan Press : University of Michigan Library, 2009.

Harvard Citation (style guide)

Schur, R. L. (2009). Parodies of ownership: hip-hop aesthetics and intellectual property law. Ann Arbor, Mich.: University of Michigan Press : University of Michigan Library.

MLA Citation, 9th Edition (style guide)

Schur, Richard L. Parodies of Ownership: Hip-hop Aesthetics and Intellectual Property Law University of Michigan Press : University of Michigan Library, 2009.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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