A truth universally acknowledged : 33 great writers on why we read Jane Austen
(Book)
Contributors
Status
General Shelving - 3rd Floor
PR4037 .T78 2009
1 available
PR4037 .T78 2009
1 available
Description
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Copies
Location | Call Number | Status |
---|---|---|
General Shelving - 3rd Floor | PR4037 .T78 2009 | On Shelf |
Subjects
OCLC Fast Subjects
More Details
Format
Book
Physical Desc
xx, 295 pages ; 24 cm
Language
English
Notes
Bibliography
Includes bibliographical references.
Description
For so many of us a Jane Austen novel is much more than the epitome of a great read. It is a delight and a solace, a challenge and a reward, and perhaps even an obsession. For two centuries Austen has enthralled readers. Few other authors can claim as many fans or as much devotion. So why are we so fascinated with her novels? What is it about her prose the has made Jane Austen so universally beloved? In essays culled from the last 100 years of criticism juxtaposed with new pieces by some of today's most popular novelists and essayists, Jane Austen's writing is examined and discussed, from her witty dialogue to the arc and sweep of her story lines. Great authors and literary critics of the past offer insights into the timelessness of her moral truths while highlighting the unique confines of the society in which she composed her novels. Virginia Woolf examines Austen's maturation as an artist and speculates on how her writing would have changed if she'd lived 20 more years, while C.S. Lewis celebrates Austen's mirthful, ironic take on traditional values. Modern voices celebrate Austen's amazing legacy with an equal amount of eloquence and enthusiasm. Fay Weldon reads Mansfield Park as an interpretation of Austen's own struggle to be as "good" as Fanny Price. Anna Quindlen examines the enduring issues of social pressure and gender politics that make Pride and Prejudice as vital today as ever. Alain de Botton praises Mansfield Park for the way it turns Austen's societal hierarchy on its head. Amy Bloom finds parallels between the world of Persuasion and Austen's own life. And Amy Heckerling reveals how she transformed the characters of Emma into denizens of 1990s Beverly Hills for her comedy Clueless. From Harold Bloom to Martin Amis, Somerset Maugham to Jay McInerney, Eudora Welty to Margot Livesey, each writer here reflects on Austen's place in both the literary canon and our cultural imagination. We read, and then reread, our favorite Austen novels to connect with both her world and our own. Because, as A Truth Universally Acknowledged so eloquently demonstrates, the only thing better than reading a Jane Austen novel is finding in our own lives her humor, emotion, and love. - Jacket flap.
Description
Why are readers so fascinated by Jane Austen's novels? In essays culled from the last 100 years of criticism, great authors and literary critics of the past and present offer insights into her writing and her unique appeal to readers across generations.
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Citations
APA Citation, 7th Edition (style guide)
Carson, S. (2009). A truth universally acknowledged: 33 great writers on why we read Jane Austen . Random House.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Carson, Susannah. 2009. A Truth Universally Acknowledged: 33 Great Writers On Why We Read Jane Austen. New York: Random House.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Carson, Susannah. A Truth Universally Acknowledged: 33 Great Writers On Why We Read Jane Austen New York: Random House, 2009.
Harvard Citation (style guide)Carson, S. (2009). A truth universally acknowledged: 33 great writers on why we read jane austen. New York: Random House.
MLA Citation, 9th Edition (style guide)Carson, Susannah. A Truth Universally Acknowledged: 33 Great Writers On Why We Read Jane Austen Random House, 2009.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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