Includes bibliographical references (pages [129]-187) and index.

Solomon revisits the golden age of theatrical magic and silent film to reveal how professional magicians shaped the early history of cinema. While others have called upon magic as merely an evocative metaphor for the wonders of cinema, the author focuses on the work of the professional illusionists who actually made magic with moving pictures between 1895 and 1929. He combines film and theater history to uncover new evidence of the exchanges between magic and filmmaking in the United States and France during the silent period. Chapters detailing the stage and screen work of Harry Houdini and Georges Méliès show how each transformed theatrical magic to create innovative cinematic effects and thrilling new exploits for twentieth-century mass audiences. The book also considers the previously overlooked roles of anti-spiritualism and presentational performance in silent film. Highlighting early cinema's relationship to the performing body, visual deception, storytelling, and the occult, Solomon treats cinema and stage magic as overlapping practices that together revise our understanding of the origins of motion pictures and cinematic spectacle. --From publisher description.

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