Matisse : radical invention, 1913-1917
(Book)

Book Cover
Average Rating
Author
D'Alessandro, Stephanie.
Contributors
Elderfield, John.
Matisse, Henri, 1869-1954.
Art Institute of Chicago.
Museum of Modern Art (New York, N.Y.)
Status
On Shelf
General Shelving - 3rd Floor
ND553.M37 A4 2010
1 available

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LocationCall NumberStatus
General Shelving - 3rd FloorND553.M37 A4 2010On Shelf

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Subjects

LC Subjects
Exhibition catalogs.
Matisse, Henri, -- 1869-1954 -- Criticism and interpretation.
Matisse, Henri, -- 1869-1954 -- Exhibitions.
Matisse, Henri, -- 1869-1954.
OCLC Fast Subjects
Criticism, interpretation, etc.
Exhibition catalogs.
Matisse, Henri, -- 1869-1954.
Other Subjects
Art and Design.
Catalogues d'exposition.
exhibition catalogs.
Frankrijk.
Matisse, Henri -- 1869-1954
Matisse, Henri -- Criticism and interpretation.
Matisse, Henri, -- 1869-1954 -- Chicago (Ill.) -- Exhibitions.
Matisse, Henri, -- 1869-1954 -- Criticism and interpretation.
Matisse, Henri, -- 1869-1954 -- Exhibitions.
Matisse, Henri.
Matisse, Henri.
Painting, French -- 20th century.
Painting, Modern -- 20th century -- France.
Schilderijen.
Werk.

More Details

Format
Book
Physical Desc
368 pages : illustrations (chiefly color) ; 34 cm
Language
English

Notes

General Note
"Published in conjunction with an exhibition of the same title co-organized by the Art Institute of Chicago and the Museum of Modern Art, New York. Exhibition dates: The Art Institute of Chicago, March 20, 2010-June 20, 2010; The Museum of Modern Art, July 18, 2010-October 11, 2010"--Title page verso.
General Note
At foot of title: Art Institute of Chicago ; Museum of Modern Art ; Yale University Press, New Haven and London.
Bibliography
Includes bibliographical references (pages 356-361) and index.
Description
This book examines the working method, experimental techniques, and compositional choices Matisse used in works created between 1913 and 1917. The works that Henri Matisse (1869-1954) executed between late 1913 and 1917 are among his most demanding, experimental, and enigmatic. Often sharply composed, heavily reworked, and dominated by the colors black and gray, these compositions are rigorously abstracted and purged of nearly all descriptive detail. Although they have typically been treated as unrelated to one another, as aberrations within the artist's oeuvre, or as singular responses to Cubism or World War I, this book reveals the deep connections among them.
Local note
SACFinal081324

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Citations

APA Citation, 7th Edition (style guide)

D'Alessandro, S., Elderfield, J., & Matisse, H. (2010). Matisse: radical invention, 1913-1917 (First Edition.). Art Institute of Chicago ; Distributed by Yale University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

D'Alessandro, Stephanie, John. Elderfield and Henri Matisse. 2010. Matisse: Radical Invention, 1913-1917. Chicago, Ill. : New Haven, Conn.: Art Institute of Chicago ; Distributed by Yale University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

D'Alessandro, Stephanie, John. Elderfield and Henri Matisse. Matisse: Radical Invention, 1913-1917 Chicago, Ill. : New Haven, Conn.: Art Institute of Chicago ; Distributed by Yale University Press, 2010.

Harvard Citation (style guide)

D'Alessandro, S., Elderfield, J. and Matisse, H. (2010). Matisse: radical invention, 1913-1917. First edn. Chicago, Ill. : New Haven, Conn.: Art Institute of Chicago ; Distributed by Yale University Press.

MLA Citation, 9th Edition (style guide)

D'Alessandro, Stephanie., John Elderfield, and Henri Matisse. Matisse: Radical Invention, 1913-1917 First Edition., Art Institute of Chicago ; Distributed by Yale University Press, 2010.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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