Includes bibliographical references (pages 181-190) and index.

Well known in her day as a singer, playwright, author, and editor of the "Colored American Magazine", Pauline Hopkins (1859-1930) has been the subject of considerable scholarly attention over the last twenty years. Academic review of her many accomplishments, however, largely overlooks Hopkins's contributions as novelist. "The Motherless Child", the first book-length study of Hopkins's major fictions, fills this gap, offering a sustained analysis of motherlessness in "Contending Forces", "Hagar's Daughter", "Winona", and "Of One Blood". Motherlessness appears in all of Hopkins's novels. The motif, Jill Bergman asserts, resonated profoundly for African Americans living with the legacy of abduction from a motherland and familial fragmentation under slavery. In her novels, motherlessness serves as a trope for the national alienation of post-Reconstruction African Americans. Bergman shows how historical events -- such as Bleeding Kansas, the execution of John Brown, and the Middle Passage -- gave rise to a sense of motherlessness and how Hopkins's work engages with that of other contemporaneous race activists. This illuminating study opens new terrain not only in Hopkins scholarship, but also in the complex interchanges between literary, African America, psychoanalytic, feminist, and postcolonial studies. -- From publisher's description.

SACFinal081324