Chang'an Avenue and the modernization of Chinese architecture
(Book)
Author
Status
General Shelving - 3rd Floor
NA9053.S7 Y8 2012
1 available
NA9053.S7 Y8 2012
1 available
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Copies
Location | Call Number | Status |
---|---|---|
General Shelving - 3rd Floor | NA9053.S7 Y8 2012 | On Shelf |
Subjects
LC Subjects
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More Details
Format
Book
Physical Desc
xiii, 351 pages : illustrations (chiefly color), plans ; 27 cm.
Language
English
Notes
General Note
"This book was developed from my [the author's] PhD dissertation ... within the Department of Art History at the University of Washington."--Acknowledgments, page ix.
Bibliography
Includes bibliographical references (pages 327-340) and index.
Description
"In this interdisciplinary narrative, the never-ending "completion" of China's most important street offers a broad view of the relationship between art and ideology in modern China. Chang'an Avenue, named after China's ancient capital (whose name means "Eternal Peace"), is supremely symbolic. Running east-west through the centuries-old heart of Beijing, it intersects the powerful north-south axis that links the traditional centers of political and spiritual legitimacy (the imperial Forbidden City and the Temple of Heaven). Among its best-known features are Tiananmen Square and the Great Hall of the People, as well as numerous other monuments and prominent political, cultural, financial, and travel-related institutions. Drawing on Chang'an Avenue's historic ties and modern transformations, this study explores the deep structure of the Chinese modernization project, providing both a big picture of Beijing's urban texture alteration and details in the design process of individual buildings. Political winds shift, architectural styles change, and technological innovations influence waves of demolition and reconstruction in this analysis of Chang'an Avenue's metamorphosis. During collective design processes, architects, urban planners, and politicians argue about form, function, and theory, and about Chinese vs. Western and traditional vs. modern style. Every decision is fraught with political significance, from the 1950s debate over whether Tiananmen Square should be open or partially closed; to the 1970s discussion of the proper location, scale, and design of the Mao Memorial/Mausoleum; to the more recent controversy over whether the egg-shaped National Theater, designed by the French architect Paul Andreu, is an affront to Chinese national pride. Shuishan Yu is associate professor of art history at Oakland University in Rochester, Michigan."--,Provided by publisher.
Local note
SACFinal081324
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Citations
APA Citation, 7th Edition (style guide)
Yu, S. (2012). Chang'an Avenue and the modernization of Chinese architecture (First [edition].). University of Washington Press.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Yu, Shuishan, 1971-. 2012. Chang'an Avenue and the Modernization of Chinese Architecture. Seattle: University of Washington Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Yu, Shuishan, 1971-. Chang'an Avenue and the Modernization of Chinese Architecture Seattle: University of Washington Press, 2012.
Harvard Citation (style guide)Yu, S. (2012). Chang'an avenue and the modernization of chinese architecture. First [edn]. Seattle: University of Washington Press.
MLA Citation, 9th Edition (style guide)Yu, Shuishan. Chang'an Avenue and the Modernization of Chinese Architecture First [edition]., University of Washington Press, 2012.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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