Includes bibliographical references (pages 199-203) and index.

MyiLibrary allows three users access at a time (21.03.2018).

The author examines how Henry James progressively disentangled himself from the moralising frame through which English-language novels in the nineteenth century had imagined sexual passion. The author argues that his relationship with the European novel tradition was crucial, helping him to leave behind a way of seeing in which only 'bad' women could be sexual. She reads James's transitional fictions of the 1890s as explorations of how disabling and distorting ideals of women's goodness and purity were learned and perpetuated within English and American cultural processes. These explorations, the author argues, liberated James to write the great heterosexual love affairs of the late novels, with their emphasis on the power of pleasure and play: themes which are central to James's ambitious enterprise to represent the privileges and the pains of turn-of-the-century leisure-class society.--description from jacket.

Committed to retain,2020,pda,UkLeU

SACFinal081324