Francis Bacon : man and beast
(Book)
Author
Contributors
Peppiatt, Michael, curator.
Testar, Anna, curator.
Lea, Sarah, curator.
Boorman, Isabella, contributor.
Royal Academy of Arts (Great Britain), host institution.
Testar, Anna, curator.
Lea, Sarah, curator.
Boorman, Isabella, contributor.
Royal Academy of Arts (Great Britain), host institution.
Status
General Shelving - 3rd Floor
ND497.B16 A4 2021
1 available
ND497.B16 A4 2021
1 available
Description
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Copies
Location | Call Number | Status |
---|---|---|
General Shelving - 3rd Floor | ND497.B16 A4 2021 | On Shelf |
Subjects
LC Subjects
OCLC Fast Subjects
More Details
Format
Book
Physical Desc
157 pages : color illustrations, portraits ; 29 cm
Language
English
Notes
General Note
"This catalogue was created in extraordinary times, to accompany and record an exhibition of the same title that had been scheduled to take place in the Main Galleries of the Royal Academy from 30 January until 18 April 2021. However, vital lockdown measures to limit the spread of Covid-19 meant that the Royal Academy had to close its doors during this period. At the time of this book's publication, the exhibition has been postponed until a later date."--Title page verso.
Bibliography
Includes bibliographical references (pages 154-155) and index.
Description
An exhibition of Francis Bacon's paintings at the Royal Academy of Arts in 2020 explores the role of animals in his work - not least the human animal. Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle and the erotic lurks not far away : "Bullfighting is like boxing," Bacon once said. "A marvellous aperitif to sex." Twenty-two years later, a lone bull was to be the subject of his final painting. In this publication, authors discuss Bacon's approach to animals and identify his varied sources of inspiration, which included surrealist literature and the photographs of Eadweard Muybridge. They contend that, by depicting animals in states of vulnerability, anger and unease, Bacon sought to delve into the human condition.
Description
"Long considered one of the most important painters of the twentieth century, Francis Bacon (1909-1992) was fascinated by animals and studied them throughout his life, building a vast collection of wildlife books and photographs. By observing animal behaviour, he explored the idea of the true nature of humanity, reminding us that we are not as far removed from the animal kingdom as we might like to believe. In this handsome book, which looks at this intriguing aspect of Bacon's work, expert authors discuss the artist's approach to animals and identify his varied sources of inspiration, among them the work of wildlife photographers and the motion studies of Eadweard Muybridge."--taken from back cover.
Local note
SACFinal081324
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Citations
APA Citation, 7th Edition (style guide)
Bacon, F., Peppiatt, M., Testar, A., Lea, S., & Boorman, I. (2021). Francis Bacon: man and beast . Royal Academy of Arts.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Francis Bacon et al.. 2021. Francis Bacon: Man and Beast. Royal Academy of Arts.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Francis Bacon et al.. Francis Bacon: Man and Beast Royal Academy of Arts, 2021.
MLA Citation, 9th Edition (style guide)Bacon, Francis, et al. Francis Bacon: Man and Beast Royal Academy of Arts, 2021.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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