The keyboard music of C.P.E. Bach, considered in relation to his musical aesthetic and the rise of the sonata principle
(Book)

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General Shelving - 3rd Floor
MT145.B12 B4 1966
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LocationCall NumberStatus
General Shelving - 3rd FloorMT145.B12 B4 1966On Shelf

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Format
Book
Physical Desc
xv, 186 pages : facsimile, music ; 26 cm
Language
English

Notes

Bibliography
Includes bibliographical references (pages [177]-178; discography: pages [179]-180. "Modern editions of C.P.E. Bach's solo keyboard music": pages [181]-182).
Local note
SACFinal081324

Citations

APA Citation, 7th Edition (style guide)

Barford, P. (19661965). The keyboard music of C.P.E. Bach, considered in relation to his musical aesthetic and the rise of the sonata principle . October House.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Barford, Philip. 19661965. The Keyboard Music of C.P.E. Bach, Considered in Relation to His Musical Aesthetic and the Rise of the Sonata Principle. New York: October House.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Barford, Philip. The Keyboard Music of C.P.E. Bach, Considered in Relation to His Musical Aesthetic and the Rise of the Sonata Principle New York: October House, 19661965.

Harvard Citation (style guide)

Barford, P. (n.d.). The keyboard music of C.P.E. bach, considered in relation to his musical aesthetic and the rise of the sonata principle. New York: October House.

MLA Citation, 9th Edition (style guide)

Barford, Philip. The Keyboard Music of C.P.E. Bach, Considered in Relation to His Musical Aesthetic and the Rise of the Sonata Principle October House, 19661965.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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