The operas of Benjamin Britten : an introduction
(Book)
Author
Status
General Shelving - 3rd Floor
MT100.B778 H7 1976
1 available
MT100.B778 H7 1976
1 available
Description
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Copies
Location | Call Number | Status |
---|---|---|
General Shelving - 3rd Floor | MT100.B778 H7 1976 | On Shelf |
Subjects
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Format
Book
Physical Desc
236 pages : music ; 22 cm
Language
English
Notes
General Note
Reprint of the edition published by F.A. Praeger, New York.
Description
"Benjamin Britten's dramatic works--full operas, chamber operas, and dramas for church performance--dominate the repertoire of contemporary English opera, though they no longer monopolize it. His Peter Grimes will always rank with The Siege of Rhodes as a new beginning for English opera; unlike Sir William D'Avenant's work, the score of Peter Grimes seems likely to survive. Performances of Britten's operas are, however, far from frequent, and the average listener cannot readily form an impression of the scope and development of the series or absorb all the riches of individual works simply from his experiences in the opera house. The majority of British operagoers have a chance to see any one opera by Britten only once or twice in a lifetime. This book is designed to enable them, as well as the thousands of Americans who know Britten's operas exclusively through phonograph records, to make the most of these opportunities; it not only briefs the reader on events on-stage and in the orchestra, but it also prepares him for the experience of becoming involved in the drama. Patricia Howard distinguishes between details that can be perceived by a 'first-time' audience and those that are available only to the listener with an intimate knowledge of the score. Those who already know the operas well can relive them through this book, which has nearly 100 music illustrations. The author's personal approach is stimulating and at times provocative. There is a chapter on each of Britten's dramatic works, including Noye's Fludde and the Parables for Church Performance, but excluding the edited Dido, the revised Beggar's Opera, and the early Paul Bunyan. There is also a general survey of Britten's musicodramatic art throughout the canon. Although it is primarily intended to assist the inexperienced listener and stimulate the confirmed operagoer, Mrs. Howard's book should interest all those concerned with writing, producing, or studying opera of our time."--Dust jacket.
Local note
SACFinal081324
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Citations
APA Citation, 7th Edition (style guide)
Howard, P. (19761969). The operas of Benjamin Britten: an introduction . Greenwood Press.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Howard, Patricia. 19761969. The Operas of Benjamin Britten: An Introduction. Westport, Conn.: Greenwood Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Howard, Patricia. The Operas of Benjamin Britten: An Introduction Westport, Conn.: Greenwood Press, 19761969.
Harvard Citation (style guide)Howard, P. (n.d.). The operas of benjamin britten: an introduction. Westport, Conn.: Greenwood Press.
MLA Citation, 9th Edition (style guide)Howard, Patricia. The Operas of Benjamin Britten: An Introduction Greenwood Press, 19761969.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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