Includes bibliographical references (pages 319-335) and index.

"Examines the most important photographers and developments in the documentary genre during this century. It encompasses the reform-era images of Francis Benjamin Johnston and Lewis Hine; the work of Farm Security Administration (FSA) photographers like Walker Evans and Dorothea Lange during both the 1930s and 1940s after the FSA photography unit broke up; the American-Way-of-Life pictures published by Life, Look, and the United States Information Agency during the 1940s and 1950s; the iconoclastic images of William Klein, Diane Arbus, and Robert Frank; and the work of four photographers of the 1970s and 1980s: Bill Owens, Chauncey Hare, Susan Meiselas, and Michael Williamson. Guimond pays close attention to the specific historical circumstances in which the pictures were made, to the roles the photographers played in making their images, to their intentions, stated and unstated, and to the original contexts in which the images were published or exhibited. These images, he shows, are not merely pictures on museum walls but revelations that can help us understand how we as Americans have seen ourselves, one another, and the world around us."--Back cover.

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