Stravinsky
(Book)
Status
General Shelving - 3rd Floor
ML410.S932 G76 1993
1 available
ML410.S932 G76 1993
1 available
Description
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Copies
Location | Call Number | Status |
---|---|---|
General Shelving - 3rd Floor | ML410.S932 G76 1993 | On Shelf |
Subjects
OCLC Fast Subjects
More Details
Format
Book
Physical Desc
xiii, 253 pages : illustrations ; 24 cm.
Language
English
Notes
General Note
"First published in Great Britain by the Orion Publishing Group, Ltd. ... London"--Title page verso.
Bibliography
Includes bibliographical references (pages 242-243) and index.
Description
As the twentieth century draws to a close, Igor Stravinsky's stature as one of its master musicians is indisputable. His active career as a composer covered fully two-thirds of the century, from the songs and the symphony he wrote as a pupil of Rimsky-Korsakov in St. Petersburg to the music on sacred themes he produced as an old man in Los Angeles. Between these early and late works stretched a creative life that included triumphs of the Ballets Russes such as The Firebird, Petrushka, and The Rite of Spring; children's piano pieces; works based on Greek myth and on Russian peasant theatre; new approaches to concerto grosso form as well as to ragtime; liturgies as well as sketches for circus band; reworkings of ideas from the Baroque, and explorations of possibilities no one had dreamed of. Stravinsky's influence is incalculable and, like his output, extraordinarily wide in range. It has been felt by composers from Debussy and Schoenberg to those who had not yet been heard from when he died in 1971. In his long and honored life he came into contact with people from Tchaikovsky and Ravel to T.S. Eliot and W.H. Auden, from Benito Mussolini to John F. Kennedy, from Picasso, Nijinsky, and Cocteau to Louis B. Mayer. In this new study, Paul Griffiths surveys Stravinsky's vastly variegated life and output in one chronological sweep, showing how certain basic images and principles emerge again and again in the music, but also emphasizing his capacity to start afresh, to confront us not with one Stravinsky but with many. Since Stravinsky's death, publication of his correspondence and other material has made possible a deeper investigation of his creative methods. Profiting from this, and exploring the works both as individual creations and as elements in a wider context, Paul Griffiths's book is a new and stimulating guide to Stravinsky's life and music.
Local note
SACFinal081324
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Citations
APA Citation, 7th Edition (style guide)
Griffiths, P. (19931992). Stravinsky (1st American ed.). Schirmer Books : Maxwell Macmillan International.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Griffiths, Paul, 1947 November 24-. 19931992. Stravinsky. Schirmer Books : Maxwell Macmillan International.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Griffiths, Paul, 1947 November 24-. Stravinsky Schirmer Books : Maxwell Macmillan International, 19931992.
MLA Citation, 9th Edition (style guide)Griffiths, Paul. Stravinsky 1st American ed., Schirmer Books : Maxwell Macmillan International, 19931992.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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