Proportion and style in ancient Egyptian art
(Book)

Book Cover
Average Rating
Contributors
Fowler, Ann S., illustrator.
Status
General Shelving - 3rd Floor
N5350 .R65 1994
1 available

Description

Loading Description...

Also in this Series

Checking series information...

Copies

LocationCall NumberStatus
General Shelving - 3rd FloorN5350 .R65 1994On Shelf

More Like This

Loading more titles like this title...

More Details

Format
Book
Physical Desc
x, 283 pages : black and white illustrations ; 29 cm
Language
English

Notes

Bibliography
Includes bibliographical references (pages 273-278) and index.
Description
The painted and relief-cut walls of ancient Egyptian tombs and temples record an amazing continuity of customs and beliefs over nearly 3,000 years. Even the artistic style of the scenes seems unchanging from century to century, but this appearance is deceptive. In this pioneering work, Gay Robins offers convincing evidence, based on a study of Egyptian usage of grid systems and proportions, that innovation and stylistic variation played a significant role in ancient Egyptian art. Robins provides a comprehensive account of the squared grid systems used by ancient Egyptian artists to achieve acceptable proportions for standing, sitting, and kneeling human figures. She traces the grid system from its Old Kingdom origins as a system of guide lines through its development in the Middle Kingdom and continued employment into the Late and Ptolemaic periods. She is the first author to explore its use with female figures to reflect the actual physical differences between women and men. From this investigation, Robins offers the first chronological account of variations in the proportions of male and female figures - an important component of style - from the Early Dynastic Period to the Ptolemaic Period. Her study includes a detailed account of the Amarna canon of proportions, which she discovered, that accompanied the revolutionary stylistic changes instituted by the heretic king Akhenaton. She also considers for the first time how, in general, the use of a grid system influenced composition as a whole. Numerous line drawings of paintings and reliefs with superimposed grids, either derived from actual grid traces surviving on monuments, or calculated according to the systems used by the Egyptians themselves, illustrate the text. Proportion and Style in Ancient Egyptian Art uniquely reveals some of the principles and practices of Egyptian art that are essential to its proper understanding by both interested lay persons and professional Egyptologists and art historians.
Local note
SACFinal081324

Reviews from GoodReads

Loading GoodReads Reviews.

Citations

APA Citation, 7th Edition (style guide)

Robins, G., & Fowler, A. S. (1994). Proportion and style in ancient Egyptian art (1st edition.). University of Texas Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Robins, Gay and Ann S., Fowler. 1994. Proportion and Style in Ancient Egyptian Art. Austin: University of Texas Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Robins, Gay and Ann S., Fowler. Proportion and Style in Ancient Egyptian Art Austin: University of Texas Press, 1994.

Harvard Citation (style guide)

Robins, G. and Fowler, A. S. (1994). Proportion and style in ancient egyptian art. 1st edn. Austin: University of Texas Press.

MLA Citation, 9th Edition (style guide)

Robins, Gay,, and Ann S. Fowler. Proportion and Style in Ancient Egyptian Art 1st edition., University of Texas Press, 1994.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Loading Staff View.