New York Dada, 1915-23
(Book)

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General Shelving - 3rd Floor
NX511.N4 N38 1994
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LocationCall NumberStatus
General Shelving - 3rd FloorNX511.N4 N38 1994On Shelf

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Format
Book
Physical Desc
255 pages : illustrations ; 31 cm
Language
English

Notes

Bibliography
Includes bibliographical references (pages 224-249) and index.
Creation/Production Credits
Editor: Phyllis Freeman.
Description
"For about ten years, beginning with the Armory Show in 1913, New York City was host to the odd-sounding accents and queerer-looking paintings and constructions of a mixed bag of European and American avant-gardists. Besides the inscrutable figure of artist Marcel Duchamp, the European contingent included such iconoclastic visitors as the playboy painter Francis Picabia, the composer Edgard Varese, the diplomat Henri-Pierre Roche (author of Jules et Jim and adviser to the extraordinary collector John Quinn), and painters Albert Gleizes and Jean Crotti. Among the Americans were the photographer/painter/constructor Man Ray, the Precisionist painter and Fortune photographer Charles Sheeler, the Futurist Joseph Stella, and the Pennsylvania artists Charles Demuth and Morton Schamberg." "New York Dada is the first comprehensive study devoted exclusively to the accomplishments of these vanguard artists in America in the period 1915-23 - among the most underappraised, though most influential periods in the history of American art. Within months after the word "Dada" was discovered by a group of refugee artists and writers living in Switzerland, news of the movement reached artists in New York, who, by then, had already made works of art and engaged in activities that were similar in spirit to those produced by their European counterparts." "For this groundbreaking book, Francis M. Naumann has interviewed virtually all the survivors and has amassed a wealth of rare photographs and newspaper clippings, including pictures of early installations of modern art in homes and exhibitions, to capture the spirit of New York Dada in a work that is both informative and captivating. In view of the current trend to investigate the potential of a conceptually oriented approach to art and to the art-making process, it is perhaps no coincidence that New York Dada is now finally recognized for the important role it played in the formative phases of a modernist aesthetic."--Jacket.
Local note
SACFinal081324

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Citations

APA Citation, 7th Edition (style guide)

Naumann, F. M., & Naumann, F. M. (1994). New York Dada, 1915-23 . Abrams.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Naumann, Francis M and Francis M., Naumann. 1994. New York Dada, 1915-23. New York: Abrams.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Naumann, Francis M and Francis M., Naumann. New York Dada, 1915-23 New York: Abrams, 1994.

Harvard Citation (style guide)

Naumann, F. M. and Naumann, F. M. (1994). New york dada, 1915-23. New York: Abrams.

MLA Citation, 9th Edition (style guide)

Naumann, Francis M., and Francis M. Naumann. New York Dada, 1915-23 Abrams, 1994.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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