The song is ended : songwriters and American music, 1900-1950
(Book)

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General Shelving - 3rd Floor
ML3477 .H95 1995
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General Shelving - 3rd FloorML3477 .H95 1995On Shelf

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Format
Book
Physical Desc
xiv, 336 pages, 8 unnumbered pages of plates : portraits ; 25 cm
Language
English

Notes

Bibliography
Includes bibliographical references (pages 297-307) and index.
Description
This is the story of the Golden Age of American popular music, and a celebration of the enduring melodies and colorful life stories of five of this century's most engaging songwriters: Irving Berlin, Jerome Kern, George Gershwin, Cole Porter, and Richard Rodgers, with a fond bow in the direction of Victor Herbert and George M. Cohan. Author William G. Hyland provides an expert analysis of trends in popular songwriting during the first half of this century, escorting readers on a fascinating tour of the sights and sounds of fifty-odd years of American music, from the scratchy victrolas and Old World melodies of New York's teeming Lower East Side, to the hustle and bustle of Tin Pan Alley, to the hot rhythms and smoky clubs of the Jazz Age, to the sound stages of Hollywood and the glittering Broadway triumphs of "Showboat", "Anything Goes", "Porgy and Bess", "Pal Joey", and "Oklahoma!". Nostalgic lovers of good music will delight in the stories behind some of their favorite songs: Irving Berlin, for example, originally wrote his tender and romantic classic "I'll Be Loving You, Always," for a Marx Brothers revue (he wisely cut it), and he first composed "God Bless America" as an enlisted soldier in 1918, only to put it aside for almost twenty years when the pianist helping him rehearse for an army benefit complained "Geez, another patriotic song?" From Cole Porter's light-hearted and irrepressible "You're the Top" to Rodgers and Hart's wistful "Blue Moon" or the unforgettable "Summertime" from George Gershwin's masterful "Porgy and Bess," this book captures the charm, freshness and vitality of a truly great era in American musical history. The melodies from this golden era truly linger on, just as Berlin predicted, and reverberate on every page of this superb volume.
Terms Governing Use and Reproduction
Current Copyright Fee: GBP22.50,0.,Uk
Local note
SACFinal081324

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Citations

APA Citation, 7th Edition (style guide)

Hyland, W. G. 1. (1995). The song is ended: songwriters and American music, 1900-1950 . Oxford University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Hyland, William G. 1929-2008. 1995. The Song Is Ended: Songwriters and American Music, 1900-1950. New York: Oxford University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Hyland, William G. 1929-2008. The Song Is Ended: Songwriters and American Music, 1900-1950 New York: Oxford University Press, 1995.

Harvard Citation (style guide)

Hyland, W. G. 1. (1995). The song is ended: songwriters and american music, 1900-1950. New York: Oxford University Press.

MLA Citation, 9th Edition (style guide)

Hyland, William G. 1929-2008. The Song Is Ended: Songwriters and American Music, 1900-1950 Oxford University Press, 1995.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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