Drag : a history of female impersonation in the performing arts
(Book)
Author
Status
General Shelving - 3rd Floor
PN2071.I47 B35 1994
1 available
PN2071.I47 B35 1994
1 available
Description
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Copies
Location | Call Number | Status |
---|---|---|
General Shelving - 3rd Floor | PN2071.I47 B35 1994 | On Shelf |
Subjects
OCLC Fast Subjects
More Details
Format
Book
Physical Desc
xi, 284 pages, 16 unnumbered pages of plates : illustrations ; 22 cm
Language
English
Notes
Bibliography
Includes bibliographical references (pages 265-270) and index.
Description
"Men have been dressing as women on stage for hundreds of years, dating back to the thirteenth century when the Church forbade the appearance of female actors but condoned that of men and boys disguised as the opposite sex. Forms of transvestism can be traced back to the dawn of the theatre and are found in all corners of the world, notably in China and Japan. In recent years, drag has witnessed a dramatic and widespread revival. Newsday recently observed, "People are talking about all those fabulous heterosexual film idols who now can't seem to wait to get tarted up in drag and do their screen bits as fishnet queens." Drawing on a cinematic tradition popularized by Tony Curtis and Jack Lemmon in Some Like it Hot, Dustin Hoffman (Tootsie) and Robin Williams (Mrs. Doubtfire) have each delighted mainstream audiences with their portrayals of women. Even former drag queens have experienced newfound fame; witness the recent popularity of the late Divine, renowned for her oddly compelling appearances in underground John Waters films. Music, too, has been profoundly influenced by drag sensibility, from David Bowie's Ziggy Stardust and the Rocky Horror Picture Show to Boy George and RuPaul (the self- proclaimed Supermodel of the World). Tracing drag tradition from the Golden Age of stage transvestism during the reigns of Elizabeth I and James I in England to the current quasi-drag inclinations of American grunge bands, Drag is an entertaining overview of this popular and complex medium."--Back cover
Local note
SACFinal081324
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Citations
APA Citation, 7th Edition (style guide)
Baker, R. (1994). Drag: a history of female impersonation in the performing arts . New York University Press.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Baker, Roger, 1934-1993. 1994. Drag: A History of Female Impersonation in the Performing Arts. New York, N.Y.: New York University Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Baker, Roger, 1934-1993. Drag: A History of Female Impersonation in the Performing Arts New York, N.Y.: New York University Press, 1994.
Harvard Citation (style guide)Baker, R. (1994). Drag: a history of female impersonation in the performing arts. New York, N.Y.: New York University Press.
MLA Citation, 9th Edition (style guide)Baker, Roger. Drag: A History of Female Impersonation in the Performing Arts New York University Press, 1994.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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