Nonconformist art : the Soviet experience, 1956-1986 : the Norton and Nancy Dodge Collection, the Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey
(Book)

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General Shelving - 3rd Floor
N6988 .N65 1995
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General Shelving - 3rd FloorN6988 .N65 1995On Shelf

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Format
Book
Physical Desc
360 pages : color illustrations ; 29 cm
Language
English

Notes

Bibliography
Includes bibliographical references (pages 345-353) and index.
Description
In the decades of the Cold War before glasnost and perestroika, dissident Soviet artists produced a dramatic, vital body of art - work that was forbidden and secret, but that survived and flourished despite persecution. Artists risked personal safety, imprisonment, and exile in their quest for individual expression.
Description
In opposition to the government-prescribed patriotic style of Socialist Realism, these "unofficial" artists worked in prohibited styles - abstraction, Surrealism, Expressionism, Photorealism, and Conceptualism - and depicted forbidden subject matter concerned with politics, religion, and eroticism. Until glasnost and the end of the Soviet Union, few people were familiar with the richness of this art; now the full story can be told.
Description
During the thirty-year Cold War period, Norton Dodge, Professor Emeritus of Economics at St. Mary's College of Maryland, amassed a collection of approximately 10,000 works of art by more than 900 Soviet artists. Published in collaboration with the Jane Voorhees Zimmerli Art Museum, which now houses the collection, this book reproduces a selection of these remarkable works in a wide range of media including paintings, sculpture, photography, works on paper, banners, and performance art.
Description
Among the artists represented are Grisha Bruskin, Eric Bulatov, Mikhail Chemiakin, Ilya Kabakov, Vitaly Komar and Alexander Melamid, Leonid Lamm, Lydia Masterkova, Ernst Neizvestny, Vladimir Ovchinnikov, Oscar Rabin, Evgenii Rukhin, and Oleg Tselkov.
Description
The seventeen accompanying essays provide a broad perspective on the subject, addressing a variety of issues and themes: methods of artistic control and oppression; the relationship of the work of these dissident artists to that of their Western counterparts; the dilemmas facing "official" artists who created subversive works; and the risky activities of collectors, most notably Norton Dodge.
Local note
SACFinal081324

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Citations

APA Citation, 7th Edition (style guide)

Rosenfeld, A., & Dodge, N. T. (1995). Nonconformist art: the Soviet experience, 1956-1986 : the Norton and Nancy Dodge Collection, the Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey . Thames and Hudson in association with the Jane Voorhees Zimmerli Art Museum.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Rosenfeld, Alla and Norton T. Dodge. 1995. Nonconformist Art: The Soviet Experience, 1956-1986 : The Norton and Nancy Dodge Collection, the Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey. New York: Thames and Hudson in association with the Jane Voorhees Zimmerli Art Museum.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Rosenfeld, Alla and Norton T. Dodge. Nonconformist Art: The Soviet Experience, 1956-1986 : The Norton and Nancy Dodge Collection, the Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey New York: Thames and Hudson in association with the Jane Voorhees Zimmerli Art Museum, 1995.

Harvard Citation (style guide)

Rosenfeld, A. and Dodge, N. T. (1995). Nonconformist art: the soviet experience, 1956-1986 : the norton and nancy dodge collection, the jane voorhees zimmerli art museum, rutgers, the state university of new jersey. New York: Thames and Hudson in association with the Jane Voorhees Zimmerli Art Museum.

MLA Citation, 9th Edition (style guide)

Rosenfeld, Alla., and Norton T Dodge. Nonconformist Art: The Soviet Experience, 1956-1986 : The Norton and Nancy Dodge Collection, the Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey Thames and Hudson in association with the Jane Voorhees Zimmerli Art Museum, 1995.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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