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Description
Esteban Vicente is the first book devoted to the life and work of the distinguished Spanish-born painter who, at age ninety-two, remains the only one of the original Abstract Expressionists still working at the peak of his powers. His luminous paintings and collages acknowledge the great Spanish tradition of Velazquez and Goya while simultaneously exploring the legacy of such modernist masters as Cezanne, Picasso, Mondrian, and Matisse. This magnificent...
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Description
"This book is a good place to study Gorky. Much of what has been said of Gorky in recent books is not backed up by Rosenberg. This book did much to revive Gorky's reputation. The profile here is about his rapid development. The part played by his intellect is especially important: modern art & traditional work.rosenberg summarizes his values.allusion, parody, quotation were important to him. They separated him from many painters in NYC."--Amazon
Author
Description
"Gee, Joan, if only you were French and male and dead," said a New York art dealer to Joan Mitchell in the 1950s. She was a steel heiress from the Midwest (her grandfather built Chicago's bridges and worked for Andrew Carnegie). She was a daughter of the American Revolution--Anglo-Saxon, Republican, Episcopalian. She was tough, disciplined, courageous, dazzling, and went up against the masculine art world at its most entrenched, made her way in it,...
Author
Description
This new study focuses on the decade (1942-1952) when the Abstract Expressionists matured as artists and created their most important works, and also identifies the distinctly American character of Abstract Expressionism, in particular the painters Sandler sees as the movement's most important figures: Jackson Pollock and Clyfford Still.
Author
Description
"Unrepentant Ego: The Self-Portraits of Lucas Samaras, which accompanies the Whitney Museum of American Art exhibition of the same title, follows the development of Samaras's self-portrait leitmotif, from the late 1950s to the present. With an extended chronology by Whitney curator Marla Prather that traces the influences and artistic trajectory of Samaras's life: an essay by Donald Kuspit that provides an in-depth analysis of Samaras's self-portraiture...
12) Lee Krasner
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Description
This is a complete reappraisal of Lee Krasner (1908-1984), who, along with her husband, Jackson Pollock, was among the artists who launched the New York School of painting after World War II. One of the few critically recognized female Abstract Expressionists of her generation, she has emerged as an essential figure in postwar American art. This lavishly illustrated book, the companion to a major traveling exhibition, takes a fresh look at Krasner...
Description
"In the years following the end of the Second World War American artists discovered a radically form of expression. Initially denigrated as the 'spatter-and-daub' school of art, the movement quickly found a name--Abstract Expressionism--and a devoted band of admirers. The paintings they made and the vision and principles that guided their work changed forever the way we look at art. Here, for the first time in one volume, the creators and critics...
Description
"This volume is the first major study of The Rose and of Jay DeFeo in general. In the collection, eleven distinguished art and cultural historians - Bill Berkson, Niccolo Caldararo, Richard Candida Smith, Walter Hopps, Lucy R. Lippard, Greit Marcus, Sandra S. Phillips, Marla Prather, Carter Ratcliff, David A. Ross, and Martha Sherrill - unfold the story of the creation, as well as the tricky and painstaking rescue, of DeFeo's radiant masterpiece....
Author
Description
The late 1940s and early 1950s saw a revolution in art, a revolution led by a group of American painters who for a brief period all lived, worked, and exhibited in the same city. The art world was brilliantly transformed by the Abstract Expressionists - Jackson Pollock, Willem de Kooning, Mark Rothko, Barnett Newman, Adolph Gottlieb, Robert Motherwell, Clyfford Still, Franz Kline, David Smith, and others. Like the Impressionists before them, they...
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