San Antonio College Library

BLACK IS BEAUTIFUL A Philosophy of Black Aesthetics. Paul C. Taylor. "Combining a background in Anglo-American aesthetics with a deep knowledge of black expressive culture, and ramified by a wide-ranging, interdisciplinary mastery of cultural studies across the humanities, Paul Taylor's Black is Beautiful succeeds in situating black aesthetics in a strikingly original way, one which is not only valuable in itself, but also commendably reinvigorates...

"A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde...

"Beginning with a deceptively simple question--what do we mean when we designate behaviors, values, or forms of expression as "black"?--Evie Shockley's Renegade poetics teases out the more complex and nuanced possibilities the concept has long encompassed. She redefines black aesthetics descriptively, resituating innovative poetry that has been marginalized becuase it was not "recognizably black" and avant-garde poetry dismissed because it was"--Back...

The Harlem Renaissance (1918 -1937) was the most influential single movement in African American literary history. Its key figures include W.E.B. Du Bois, Nella Larsen, Zora Neale Hurston, Claude McKay, and Langston Hughes. The movement laid the groundwork for all later African American literature, and had an enormous impact on later black literature world-wide. With chapters by a wide range of well-known scholars, this Companion is an authoritative...

Presents twelve essays that examine the writings and influence of African-American scholar W.E.B. DuBois, as well as a chronology, a bibliography, and an introduction by Harold Bloom.