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This is the story of the Apostles - Cambridge University's elite intellectual secret society - from its modest beginning in the 1820s to the revelation in recent decades that two of the most notorious "moles" for the Soviet secret service - Guy Burgess and Anthony Blunt - were Apostles.
Author
Description
"Responding to the debate stimulated by cultural materialist and new historicist claims that the early modern self was fragmented by forces in Elizabethan England, Sherwood argues that the self was capable of unified subjectivity, demonstrating that the intersection of Protestant vocation and Christian civic humanism was a stabilizing factor in the early modern construction of self"--Provided by publisher.
Author
Description
"Certain questions engross Shakespeare from his early plays to the late romances: the nature of motive, cause, personal identity and relation, the proper status of imagination, ethics and subjectivity, language and its capacity to occlude and to communicate. Yet Shakespeare's thought, Nuttall demonstrates, is anything but static. The plays keep returning to, modifying, and complicating the playwright's preoccupations. The author does not limit discussion...
Author
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"Barbara J. Shapiro traces the surprising genesis of the "fact," a modern concept that, she convincingly demonstrates, originated not in natural science but in legal discourse. She follows the concept's evolution and diffusion across a variety of disciplines in early modern England, examining how the emerging "culture of fact" shaped the epistemological assumptions of each intellectual enterprise."--Jacket
Author
Description
Examines the lives, careers, achievements, and influence of the "Bloomsburies": economist Maynard Keynes, political scientist Leonard Woolf, authors Virginia Woolf and Lytton Strachey, critics Clive Bell and Desmond MacCarthy, and painters Duncan Grant, Vanessa Bell, and Roger Fry.
Author
Description
Monteiro reads Frost's poetry in the light of poems and essays by his precursors, particularly Emerson, Thoreau, and Dickinson. He shows how familiar poems such as "Mending Wall," "After Apple-picking," "The Road Not Taken," and "Moving," as well as less-known poems such as "The Draft Horse," "Dust of Snow," "The Bonfire," and "A Cabin in the Clearing," pay tribute to their distinugished sources, by drawing upon them for thought, symbol, image and...
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