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The British engagement with India was an intensely visual one. Images of the subcontinent, produced by artists and travellers in the eighteenth- and nineteenth-century heyday of the East India Company, reflect the role it played in Indian life. They mirror significant shifts in British policy and attitudes towards India. The Company's story is one of wealth, power, and the pursuit of profit. It changed what people in Europe ate, what they drank, and...
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What makes art 'feminist art'? There can be no essential feminist aesthetic, argues Kathy Battista in this exciting new art history, although feminist artists do have a unique aesthetic. Domesticity, the body, its traces, and sexuality have become prominent strands in contemporary feminist practice but where did these preoccupations begin and how did they come to signify a particular type of art? Kathy Battista's (re- ) engagement with the founding...
Description
This collection brings together essays by scholars from literature, history of art and history of science which explore the diversity of Victorian fascination with the supernatural: ghosts and fairies, table-rappings and telepathic encounters, occult religions and the idea of reincarnation, visions of the other world and a reality beyond the everyday. These essays demonstrate that the supernatural was not simply a reaction to the "post-Darwinian loss...
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"The First World War had a great impact on British modernism and twentieth-century art. This book examines how the British state recruited some of its most controversial artists to produce official art as propaganda and how their work gave witnessed testimony to the trauma of a war that later generations would redeem in acts of remembrance."--Jacket.
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