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Description
In this book, there is a comprehensive visual, cultural, and historical account of the ways in which armed conflict has been represented by artists. Covering the last two centuries, from the Crimean War to the present day, the book shows how the artistic portrayal of war has changed, from a celebration of heroic exploits to a more modern, troubled, and perhaps truthful depiction of warfare and its consequences. It investigates broad patterns as well...
Author
Description
"We often talk of "stepping into someone else's shoes." Walking back in time a century ago, which shoes would they be? A pair of silk sensations costing thousands of pounds designed by Yantonnay of Paris, or heavy wooden clogs with metal cleats that spark on the cobbles of a factory yard? Will your shoes be heavy with mud from trudging along duckboards between the tents of a frontline hospital, or stuck with tufts of turf from a soccer pitch? This...
Author
Description
"All wars are fought twice, the first time on the battlefield, the second time in memory. Exploring how this troubled memory works in Vietnam, the United States, Laos, Cambodia, and South Korea, the book deals specifically with the Vietnam War and also war in general. He reveals how war is a part of our identity, as individuals and as citizens of nations armed to the teeth. Venturing through literature, film, monuments, memorials, museums, and landscapes...
Author
Description
"C.R.W. Nevinson (1889-1946) was one of the most important, colourful and talked about artists of his generation, in an era that included close friends Mark Gertler and Dora Carrington, and adversary Wyndham Lewis. In the turbulent days of pre-World War I London, Nevinson gained notoriety as England's only Futurist; but his celebrity and legacy to early twentieth-century art history was to be dependent on the war itself, during which he produced some...
Author
Description
"The First World War had a great impact on British modernism and twentieth-century art. This book examines how the British state recruited some of its most controversial artists to produce official art as propaganda and how their work gave witnessed testimony to the trauma of a war that later generations would redeem in acts of remembrance."--Jacket.
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