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In The Viewer as Poet, Norman Land provides the first comprehensive survey of ekphrasis in literature and art criticism from antiquity through the Renaissance. Land demonstrates more fully than anyone has so far, that Renaissance art criticism assimilated the poetic tradition of ekphrasis while maintaining its function of analyzing works of art. Broadly speaking, the book shows that purely literary descriptions of art in poetry and prose contain a...
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What do Renaissance poetry and painting have in common? What are the social, ideological, and aesthetic bases for the links between them? And what role do those links play in creating the humanistic culture that still has power over us today? These are the questions Clark Hulse takes up in this sophisticated interdisciplinary study of Renaissance aesthetics. Proposing an archeology of artistic knowledge, Hulse examines the theoretical language through...
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From the publisher. Peterson makes an extraordinary claim in this fascinating book focused around the life and thought of Galileo: it was the mathematics of Renaissance arts, not Renaissance sciences, that became modern science. Galileo's Muse argues that painters, poets, musicians, and architects brought about a scientific revolution that eluded the philosopher-scientists of the day, steeped as they were in a medieval cosmos and its underlying philosophy....
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"In Promethean Ambitions, William R. Newman uses alchemy to investigate the thinning boundary between the natural and the artificial. Focusing primarily on the period between 1200 and 1700, Newman examines the labors of pioneering alchemists and the impassioned - and often negative - responses to their efforts. By the thirteenth century, Newman argues, alchemy had become a benchmark for determining the abilities of both men and demons, representing...
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When the eighteen-year-old Henry, Prince of Wales, died in November 1612, the hopes of a new generation had been dashed. For the Prince, eldest son of James I, and the brother of the future Charles I, epitomized the yearning of those who wished England to lead Protestant Europe in a great crusade against the might of Catholic Spain. He simultaneously embodied the aspirations of a new era in the arts, creating a court which would have rivalled those...
Description
Female power is explored in this online exhibition of one hundred Old Master paintings, prints, book illustrations, drawings, sculpture and decorative arts objects from the Renaissance and Baroque periods. Visual representations and real stories of women who ruled, including Athena, Aphrodite, Catherine de'Medici, Elizabeth I, Eve, Helen of Troy, and Joan of Arc are represented in this virtual tour of powerful women.
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