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"This work explores the 'authority' of autobiography in several related senses: first, the idea that autobiography is authoritative writing because it is presumably verifiable; second, the idea that one's life is one's exclusive textual domain; third, the idea that, because of the apparent congruence between the implicit ideology of the genre and that of the nation, autobiography has a special prestige in America. Aware of the recent critiques of...
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"In Milton's Peculiar Grace, Fallon argues that Milton writes about himself to gain immortality, secure authority for his arguments, and exert control over his readers' interpretations. He traces the return of the repressed narrative of fallenness in the author's unacknowledged and displaced self-representations, which in turn account for much of the power of the late poems. Fallon's book, based on close readings of Milton's "self-constructions" in...
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"Attempts to uncover the workings of modern Latin American literature by creating a dialogue of texts, a dynamic whole whose parts are seven illuminating essays on seminal texts in the tradition. Major works by Barnet, Cabrera Infante, Carpentier, Cortázar, Fuentes, Gallegos, García Márquez, Roa Bastos, and Rodó are the object of a set of independent deconstructive (and reconstructive) readings. González Echevarría brings to these readings a...
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How do women, historically excluded from the role of preacher because of their gender, gain authority to assume a prophetic voice? What rhetorical strategies can empower the woman who would claim the role of prophet? In this book, Beth Maclay Doriani looks at the ways Emily Dickinson addressed these questions in the context of patriarchal nineteenth-century New England. She explores some of the central strategies Dickinson used to claim both poetic...
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This collection of linked essays centres on the power of "will and testament" in Shakespeare's writing. Adopting a broadly new historicist perspective, the book touches on theoretical questions of authorship, intentionality and the "disappearance" of the historical Shakespeare in modernist criticism. The focus of the book is the relation of "high" theory to "low" archives.
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Elliott demonstrates how, in literature, America's first men of letters--Timothy Dwight, Joel Barlow, Philip Frenan, Hugh Henry Brackenridge, and Charles Brockden Brown--sought to express the collective genius of the American people, struggling to convey a vision of what America ought to be.
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Colonial American women relied on the same male authorities and traditions as did colonial men. As a result, they encountered special difficulties validating themselves in writing. In this book, the author explores logonomic conflict in the works of northeastern colonial women, whose writings often register anxiety not typical of their male contemporaries. This book features the poetry of Mary English and Anne Bradstreet, the letter-journals of Esther...
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A Moment's Monument: Revisionary Poetics and the Nineteenth-Century English Sonnet argues that the history of the sonnet in the last century is more than a decorative strand in its literary fabric. To a large extent, this book is about Wordsworth, who discovers, through Milton, that at the heart of the sonnet's power as a form is the trope of synecdoche, which he connects up with the very moment and act of representation - thereby "inventing" the...
Description
"Shakespeare is, and always was, political. This is the contention of the most challenging of the new critical approaches currently disrupting literary criticism: cultural materialism. It disallows the idea of Shakespeare as a universal genius whose work is great precisely to the extent that it transcends politics and history. Combining historical enquiry, theoretical method, political commitment and textual analysis it produces not just new readings...
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