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4) Bach studies
Author
Description
The 16 essays collected here of two kinds: stylistic and historical inquiries, and studies of the original sources. The articles deal with the music and shed new light on the composer's life. Part 1 reconsiders Bach's historical position and assesses the cultural significance of his achievement; Parts 2, 3 and 4 draw upon the original sources to explore the compositional process, questions of authenticity and chronology, and controversial issues of...
Author
Description
In eighteenth-century Germany the universal harmony of God's creation and the perfection of its proportions still held philosophical, moral and devotional significance. Reproducing proportions close to the unity (1:1) across compositions could render them beautiful, perfect and even eternal. Using the principles of her groundbreaking theory of proportional parallelism and the latest source study research, Ruth Tatlow reveals how Bach used the number...
Author
Description
Johann Sebastian Bach devoted a significant portion of his life to the composition of stylized dance music and music based on dance rhythms. Although the music of this very special genre has long been a part of every serious musician's repertoire, very little has been written about it. In Part I, the authors describe the French dance practices in the cities and courts in which Bach lived. It also introduces terminology and analytical tools necessary...
9) J. S. Bach
Description
Johann Sebastian Bach worked in many of the German states, until he finally made his home in the ancient Saxon city of Leipzig. There he created some of the greatest music ever written, like the St Matthew Passion.
Author
Description
With scholarship and the musical intuition of practiced performance, the author presents an internal reading of Bach's keyboard works. In the absence of interpretive directions, he seeks for clues to performance in the texture of the music itself, and his readings supply striking evidence that Bach was an accomplished law-breaker whenever tradition threatened to hamper his artistic insights. The eighty years from Bach's death to the year of Mendelssohn's...
Author
Description
Karol Berger uses the works of Monteverdi, Bach, Mozart and Beethoven to support two claims: first that it was only in the later 18th century that music began to take the flow of time from the past to the future seriously; and second that this change in structure was an aspect of a larger transformation towards modernity.
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