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This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi...
Author
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A house with two doors is difficult to guard: Don Félix, whose friend Lisardo is staying with him, hides his sister Marcela so that Lisardo will not know of her presence. However, Marcela has been meeting Lisardo outside the house, although he does not know who she is. Marcela now arranges to meet Lisardo in the house of a friend, Laura, who is Félix's beloved. Both houses have two doors (front and side), and as one character comes in one door,...
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