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"In Isamu Noguchi and Modern Japanese Ceramics scholars illuminate the overlooked zone of interaction between conceptions of art and craft by focusing on the work of ceramic artists who believed themselves centrally engaged with modernism, surrealism, and other issues of concern to an international art world. Bert Winther-Tamaki considers issues of identity that shaped Noguchi's "embrace" of the Japanese earth as a medium of modern sculpture and design....
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