San Antonio College Library

When Aaron hurts his hair's feelings by saying he hates it, his hair runs away and jumps onto other people and into trouble.

A little red caboose thinks nobody cares for him until he prevents his train from slipping backwards down a mountain.

From their wonderfully round noses to their curly little tails, piggies describe how perfect they are, how much they have in common, and how they differ, too.

"Matthew is a young boy with BIG, BIG feelings-so big it sometimes feels like there's a YETI just bursting to get out! And when Mathew's yeti comes to play, he's bound to stay all day. That silly yeti comes out of Matthew's feet, his nose, his hair, his burp, and even his BUTT!"--

A retelling of the well-known tale in which a little Indian boy finally outwits the succession of tigers that want to eat him.

Surfer Indi's playground is the beach and she never gives up.

One child. One swing. An obliging dad. The inevitable plea to go "Higher! Higher!" Add Leslie Patricelli's wildly expressive illustrations, and an everyday pastime reaches new heights of humor and whimsy. How high can it go? Higher than a giraffe? Taller than a mountain? Is Earth the final frontier? The creator of a popular series of board books rises to the occasion with an ingenious picture book of very few words that expresses the giddy glee of...

Violetta is a small and spirited young princess who wants to be a knight so she dresses like a boy and practices for the big day to prove herself.

Using no special effects other than the reader's imagination, simple directions lead the reader to experiment with mixing and changing colors on the printed page.

In this sequel to THE EGG, young George and his friend the dragon are reunited to perform an emergency rescue. A wicked witch kidnapped the dragon's offspring, and she's even using his little flame to roast her meals of toads. George and the witch fly through the air in a desperate race around an enchanted castle before the dragon and his baby are eventually reunited. Author M.P. Robertson's lavish full-color watercolors accompany the text.