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Description
"Jonathan Swift (1667-1745) is an inexhaustibly intriguing figure in the literary and political history of England and Ireland. Best known as the author of Gulliver's Travels, he was an ordained clergyman whose enemies thought he did not believe in God. He became a legendary dean of St. Patrick's Cathedral in Dublin whose ambition for church preferment in England was perpetually frustrated. For four short, intoxicating years he was the intimate of...
Author
Description
It is the aim of this biography to offer a new, comprehensive view of Swift and his writings. For years, biographies of the Dean were bedeviled by legends of his madness and by romantic mysteries surrounding his relationship. Post-war scholarship has swept all this away, and has provided a factual basis for a much clearer understanding of both his life and work. Dr. Nokes presents a portrait of Swift in his multifarious roles as satirist, politician,...
Author
Description
"Jonathan Swift is one of literature's great satirists. Best known as the author of Gulliver's Travels, Swift also wrote numerous essays, pamphlets, and poems that addressed the political and social conditions of his time and are still studied and enjoyed by modern readers. Critical Companion to Jonathan Swift contains extensive analyses of Swift's works. This accessible volume also profiles the characters he created, significant members of his family...
Author
Description
The purpose of this study is to put forward an interpretation of Swift's work based entirely on the writings themselves and on their relation to ideas, attitudes, and literary methods current in his own day. It arises from the belief that one cause of the frequent misunderstanding of the major satires is that they have been considered in isolation from the political tracts, the letters, the sermons, the sets of maxims, and even in isolation from one...
Author
Description
"Ann Cline Kelly's book breaks the mold of Swift studies. Twentieth-century scholars have tended to assess Jonathan Swift as a pillar of the eighteenth-century "republic of letters," a conservative, even reactionary voice upholding classical values against the welling tide of popularization in literature. She argues instead that Swift, recognizing the power of the popular press to transform cultural realities, turned his back on the elite to write...
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