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Description
This seven-disc collection contains 155 avant-garde films, revealing hitherto unknown accomplishments of American filmmakers working in the United States and abroad from the invention of cinema until World War II. Offers an innovative and often controversial view of experimental film as a product of avant-garde artists, of professional directors and of amateur moviemakers working collectively and as individuals at all levels of film production.
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In this provocative and original book, Sam Girgus offers a fresh look at films such as The Searchers, Mr. Smith Goes to Washington, It's a Wonderful Life, High Noon, and On the Waterfront, and shows how they are part of the cultural and historical debate that examines, structures, and questions what modern America means to its people, the world, and history.
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"Far from the big money movie machine of Hollywood lies the cutting-edge, artistically fresh world of American independent film. These independent filmmakers, working outside the formulas and constraints of the big studios, produce today's most exciting and innovative movies. Book jacket."--Jacket.
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"Contemporary US Cinema is a forceful exploration of the tumultuous changes that have dominated the shifting landscape of American film-making over the past three decades. From the explosive release of Easy Rider to the excesses of Heaven's Gate and the comic book figures of Spider-Man, its aim is to examine the economic, social and cultural contexts of mainstream and independent American films."--Jacket.
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This vastly readable and richly illustrated volume examines film as art form, technological innovation, big business, and cultural bellwether. It takes in stars from Douglas Fairbanks to Sly Stallone; auteurs from D.W. Griffith to Martin Scorsese and Spike Lee; and genres from the screwball comedy of the 1930s to the "hard body" movies of the 1980s to the independent films of the 1990s. Combining panoramic sweep with detailed commentaries on hundreds...
Description
This is an anthology of critical biographies of Western movie actors written by a gathering of Westerners. The contributors cover actors such as W.S. Hart, Ken Maynard, Randolph Scott, Gary Cooper, John Wayne, and Audie Murphy; lesser-known Western actors; and women in the West and on television series. ISBN 0-253-20415-1 (pbk.): $12.95.
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Using primary source material such as story outlines as well as oral histories and interviews, Behlmer paints a realistic portrait of the studio moviemaking process between 1930 and 1952. Topics addressed include purchasing of story rights, the choice of director and actors, problems with censors and production and the creation of musical scores. Among the 15 movies discussed are "Frankenstein," "Snow White and the Seven Dwarfs," "The Adventures of...
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This volume is a guide to the most significant films ever made in the United States, specifically the 50 added to the National Film Registry during 2009-2010. Each film has a complete cast and credit list along with an entertaining and often provocative essay by Eagan in which the film isn't described in detail but rather is placed "in context" to show "how they may have been inspired by earlier films, how they compare to other movies of their time,...
Description
The decade from 2000 to 2009 is framed, at one end, by the traumatic catastrophe of the 9/11 attacks on the World Trade Center and, at the other, by the election of the first African American president of the United States. In between, the United States and the world witnessed the rapid expansion of new media and the Internet, such natural disasters as Hurricane Katrina, political uprisings around the world, and a massive meltdown of world economies....
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In Hollywood's High Noon, Thomas Cripps brings together both the insights of recent scholarship in the field of film studies and the results of his own extensive research to trace the history of Hollywood, from its turn-of-the-century beginnings through the invention and development of the studio system to its heyday in the 1950s, just before television eclipsed the movies as America's dominant entertainment medium.
Cripps explores the movie-going...
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