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Description
This unique study is the result of the combined efforts of six eminently qualified scholars of medieval literature. Through intensive analysis of the major genres -- lyric, romance, allegory and fabliau -- the authors trace the evolution of the fascinating and complex phenomenon known as "courtly love". The authors do not attempt to explain the historical origins of courtly love -- avoiding the controversies that have resulted in conflicting and confusing...
Author
Description
"Sarah Gristwood's The Tudors in Love offers a brilliant history of the Tudor dynasty, showing how the rules of romantic courtly love irrevocably shaped the politics and international diplomacy of the period. Why did Henry VIII marry six times? Why did Anne Boleyn have to die? Why did Elizabeth I's courtiers hail her as a goddess come to earth? The dramas of courtly love have captivated centuries of readers and dreamers. Yet too often they're dismissed...
Author
Description
"It has often been assumed that Europeans invented and had the exclusive monopoly over courtly and romantic love, commonly considered to be the highest form of relations between men and women. This view was particularly prevalent between 1770 and the mid-twentieth century, but was challenged in the 1960s when romantic love came to be seen as a universal sentiment that can be found in all cultures in the world. However, there remains the historical...
Author
Description
The Allegory of Love is a landmark study of a powerful and influential medieval conception. C. S. Lewis explores the sentiment called 'courtly love' and the allegorical method within which it developed in literature and thought, from its first flowering in eleventh-century Languedoc through to its transformation and gradual demise at the end of the sixteenth century. Lewis devotes particular attention to the major poems The Romance of the Rose and...
Description
"These essays examine the central role played by Ovid in medieval amatory literature. In so doing, they address the theoretical problems of the entrenched "aesthetics of reception" long tied to the Ovidian Middle Ages, while they also seek at times to overturn many of the prior critical perceptions associated with Ovidian persuasive discourse -- in particular the unproblematized assertion of male will and the erasure of female voice. Responding to...
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